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A task lamp with a strong personality. Beep projects a light that reflects off the wall and ceiling. Its 360° rotation on the base allows you to adjust the direction and intensity of the light to your liking; the shade appears suspended, and the lamp body seems to detach itself from the light. Beep rests on the wall with the lightness of a butterfly. Direct as a beam but indirect as a source, its light is enveloping and never dazzling. Beep's strength lies in its exceptional luminous and visual comfort. The light emanating from the body is diffused by reflection onto the wall. A small hole, positioned slightly off-center on the disc, creates dynamism and depth in the plate that protects the light. "A lamp capable of engaging in a dialogue with its surroundings. Beep is not just an object that illuminates; by utilizing the wall, ceiling, and floor, it brings to life unique and asymmetrical lighting situations." Ludovica and Roberto Palomba
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The Big Bang wall light is formed by overlapping layers of methacrylate, creating a dynamic composition around the central luminous core, from which light emanates in all directions. Big Bang, a luminous body with a strong sense of space, highlighted by a play of light and shadow, is ideal for personalizing environments of various styles. It is available in white or red and offers diffused, reflected illumination on the wall.
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The Lumiere XXL and XXS wall lamps imbue any space with their own dynamism, thanks to the essential and unique geometries expertly crafted by master glassmakers. The movement is created by the bold lines and the orientation of the diffuser's upper surface, set at an angle to the support platform by a striking and original cut in the glass. By using the two sizes together or simply by orienting the glass differently, it's possible to create a play of balanced and cheerful compositions. The unprecedented simplicity of the wall version lends itself to a multitude of applications: from all the perfect situations for a wall sconce, such as in a hallway, to use as a bedside light.
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Born from natural inspiration and in-depth research, Gregg's form evokes a large bowl smoothed by water, or the egg of a mythological creature, a symbol of creation and regeneration. A pure and familiar volume, easily recognizable, yet surprising, because Gregg's asymmetrical shape changes its appearance depending on the viewer's perspective. This innovative approach to a traditional material like glass thus becomes a tool in the designer's hands to imbue a space with original character. Available in three different sizes for suspension, table, ceiling, and wall mounting, the Gregg collection is undoubtedly among the most versatile and adaptable, fitting seamlessly into any setting. In the home, the warm, uniform light emitted by the white satin diffuser and the minimalist style offer significant functional and decorative value. The bulb's shield, thanks to the diffuser's closed shape, protects against glare and facilitates its installation at varying heights. Used in composition, Gregg can be applied to the most surprising uses: a "rain-like" structure that emphasizes the vertical extension of a stained-glass window or stairwell, creating a striking scenographic effect; the longitudinal development of multiple suspensions at different heights generates spectacular luminous false ceilings; the repeated volume along a line introduces new perspectives, culminating in a luminous trompe l'oeil.
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The collaboration between Foscarini and Marc Sadler began with Mite, a floor lamp so innovative that it won the 2001 Compasso d'Oro. For Mite, the company and designer developed a special material: a blend of fiberglass and carbon or Kevlar® yarn, which serves simultaneously as decoration and load-bearing structure. This technology, already used in the production of fishing rods, oars, and golf clubs, was being used for the first time in the world of lighting. The extreme flexibility of this material—lightweight yet strong—has allowed for the design of an entire collection of lamps for multiple uses. Thus was born Kite, the wall lamp whose form seems to replicate a section of Mite's body, its volume slightly flattened against the wall. The light source evenly illuminates Kite's diffuser, highlighting the lamp's decoration and projecting an intense, warm beam both upwards and downwards. Mini-Kite is the smaller version of Kite, and its versatility makes it suitable for any environment, residential or commercial, adding the elegant personality that characterizes the entire collection.
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The allure of a woman's braid is the original inspiration for the Tress lamp family. A design idea transformed into reality by Foscarini through the development of a completely original technological process, in which a ribbon of fiberglass and resin, interwoven with an orderly randomness, becomes both the structure and decoration of the lamp. Tress changes personality according to its color: light and discreet in the white version, strong and decisive in the black version, volcanic and totemic in the red version, where the contrast between interior and exterior is even more striking. The wall version, available in two different sizes, has been designed to create a dramatic effect while occupying minimal space, thanks to the diffused light it provides to the room and the direct light directed towards the ceiling.
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A slender, elegant lamp, like a tree trunk. A shade reminiscent of the classic reading lamp. A switch designed like a bouquet, ready to welcome a little bird, a "birdie." Three elements that interact spontaneously, creating a friendly lamp that combines a light, continuous, and familiar touch with a decisive character. Made with durable yet lightweight materials, and offering endless placement possibilities on its circular base, Birdie takes on different personalities depending on the color chosen: discreet and almost invisible in the white version, and a focal point capable of defining an entire room in the amaranth, orange, or gray versions. The wall-mounted model completes the Birdie lamp family, increasing the possibilities for creating combinations between different versions and coordinating the lighting of a whole room.
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A dense stain of ink spreading across the water, an aerial view of a lake with an irregular profile, like many of the forms we find in nature. These are some of the images evoked by Lake, a wall lamp characterized by its organic, asymmetrical shape and rich color. The space defined by the inward-curving rim both houses and conceals the LEO light source, which casts a fluid light and surprises with its placement: from the outer edge, it spreads inward, gliding across the glossy surface. When lit, the dense, desaturated/matte colors of the white and red diffusers become bright and striking; even when switched off, Lake retains its full decorative power and an elegant, ever-changing personality. Thanks to its asymmetrical shape, Lake lends itself particularly well to compositions that bring color, light, and movement to even large walls.
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The Satellight wall lamp, with a soft and dreamy luminosity that spreads from a frosted glass globe, has a visual effect similar to a transparent glass curtain.
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Its youthful, light design, reminiscent of a cigar—from which it ironically takes its name—the soft light it emits, and its ease of adaptation to diverse settings have made it a highly successful model, even earning it a place in the permanent collection of the Museum of Modern Art (MoMA) in New York. The diffuser consists of four segments in satin-finish polyethylene. Small, circular metal hooks connect two successive elements without them touching, leaving space for three thin, hollow bands that fill with light when the lamp is on. Havana is available in floor, pendant, and wall versions.
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The first lamp designed by Ferruccio Laviani with sculpture in mind has been adapted into a wall lamp: the five diffusers of Orbital become the five different versions of Bit, a modular wall light. Each screen-printed industrial glass panel has an irregular shape, creating a striking graphic effect, whether used individually or in multifaceted compositions. The white version is particularly effective when used tone-on-tone to highlight the shapes that appear to be cut out from the wall. The colored diffusers, on the other hand, evoke a surrealist drawing when the lamps are off, and the light plays with the mosaic-like stained glass when they are on. The attention to detail extends to the surface treatment of the diffusers, satin-finished on the outside to give the color a rich, rich texture and highlight the shapes, and glossy on the inside to reflect the light.
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