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En 1947, el diseñador americano George Nelson recibió el encargo de crear una colección de relojes. Después de estudiar la forma en que la gente utilizaba los relojes, Nelson llegó a la conclusión de que la hora se podía leer según la posición relativa de las agujas, lo que permitía prescindir de los números. Además, como la mayoría utilizaba relojes de pulsera, supuso que los relojes de pared habían pasado a ser elementos decorativos de los interiores. These ideas formed the basis of their first collection of 14 pieces, which included wall clocks and small table clocks with a completely new style and were introduced to the market in 1949. Although all models shared a common characteristic – the absence of numbers – the diversity of shapes, colors, materials and designs could not have been greater.
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In 1947, American designer George Nelson was commissioned to create a collection of clocks. After studying how people used clocks, Nelson concluded that time could be read by the relative position of the hands, making numbers unnecessary. Furthermore, since most people used wristwatches, he surmised that wall clocks had become purely decorative elements in interiors. These ideas formed the basis of their first collection of 14 pieces, which included wall clocks and small table clocks with a completely new style and were introduced to the market in 1949. Although all models shared a common characteristic – the absence of numbers – the diversity of shapes, colors, materials and designs could not have been greater.
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In 1947, American designer George Nelson was commissioned to create a collection of clocks. After studying how people used clocks, Nelson concluded that time could be read by the relative position of the hands, making numbers unnecessary. Furthermore, since most people used wristwatches, he surmised that wall clocks had become purely decorative elements in interiors. These ideas formed the basis of their first collection of 14 pieces, which included wall clocks and small table clocks with a completely new style and were introduced to the market in 1949. Although all models shared a common characteristic – the absence of numbers – the diversity of shapes, colors, materials and designs could not have been greater.
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In 1947, American designer George Nelson was commissioned to create a collection of clocks. After studying how people used clocks, Nelson concluded that time could be read by the relative position of the hands, making numbers unnecessary. Furthermore, since most people used wristwatches, he surmised that wall clocks had become purely decorative elements in interiors. These ideas formed the basis of their first collection of 14 pieces, which included wall clocks and small table clocks with a completely new style and were introduced to the market in 1949. Although all models shared a common characteristic – the absence of numbers – the diversity of shapes, colors, materials and designs could not have been greater.
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In 1947, American designer George Nelson was commissioned to create a collection of clocks. After studying how people used clocks, Nelson concluded that time could be read by the relative position of the hands, making numbers unnecessary. Furthermore, since most people used wristwatches, he surmised that wall clocks had become purely decorative elements in interiors. These ideas formed the basis of their first collection of 14 pieces, which included wall clocks and small table clocks with a completely new style and were introduced to the market in 1949. Although all models shared a common characteristic – the absence of numbers – the diversity of shapes, colors, materials and designs could not have been greater.
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In 1947, American designer George Nelson was commissioned to create a collection of clocks. After studying how people used clocks, Nelson concluded that time could be read by the relative position of the hands, making numbers unnecessary. Furthermore, since most people used wristwatches, he surmised that wall clocks had become purely decorative elements in interiors. These ideas formed the basis of their first collection of 14 pieces, which included wall clocks and small table clocks with a completely new style and were introduced to the market in 1949. Although all models shared a common characteristic – the absence of numbers – the diversity of shapes, colors, materials and designs could not have been greater.
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In 1947, American designer George Nelson was commissioned to create a collection of clocks. After studying how people used clocks, Nelson concluded that time could be read by the relative position of the hands, making numbers unnecessary. Furthermore, since most people used wristwatches, he surmised that wall clocks had become purely decorative elements in interiors. These ideas formed the basis of their first collection of 14 pieces, which included wall clocks and small table clocks with a completely new style and were introduced to the market in 1949. Although all models shared a common characteristic – the absence of numbers – the diversity of shapes, colors, materials and designs could not have been greater.
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A tribute to "dominoterie," the "Domino" collection reinvents geometric and figurative motifs in a 100% non-woven wallcovering collection. Displaying its designs across a wide range of widths, Domino playfully reinterprets the patterns originally created by sheet-printed wallpapers.
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Discovering an unknown island. The serene scents of an artist's studio, a cane by the sea, and painted wood permeate the atmosphere. Woven from raffia, abaca bark, and driftwood, the new "Eldorado" wallpaper collection features authentic plant-based textures inspired by boundless artistic expression. We savor the authenticity of its reliefs, immersing ourselves in the rich pigments that define it. Eldorado becomes an accessible dream, and this natural energy is a true treasure.
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Discovering an unknown island. The serene scents of an artist's studio, a beachfront retreat, and painted wood permeate the atmosphere. Woven from raffia, abaca bark, and driftwood, the new "Eldorado" wallpaper collection features authentic plant-based textures inspired by boundless artistic expression. We savor the authenticity of its reliefs, immersing ourselves in the rich pigments that define it. Eldorado becomes an accessible dream, and this natural energy is a true treasure. Patterned wallpaper, sold in 1m x 10m rolls.
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On the smallest of the Balearic Islands, we feel like we're at the end of the world. Against its backdrop of ancient natural landscapes and exceptionally colorful waters, here and everywhere, straw is part of the spectacle. With Formentera, its memory adorns the spaces, a reminiscence of a thousand colors, sometimes two-tone, sometimes matte, sometimes even metallic. A collection of vinyl prints complements the range of natural textures: a sophisticated, two-tone straw with a very natural effect.
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Following the iconic "Natives" and "Mémoires" collections, comes the "Indomptée" collection with its diverse textures and deep colors. A pioneer in leather layering, Élitis has created two new embossed patterns and a revamped range of smooths with sophisticated nuances. Large squares, wide rectangles, and small checkerboards make up these assemblages, where shadows and colors create subtle brushed textures that follow the grain. The exceptional craftsmanship awakens the sense of touch and irresistibly invites us to run our fingertips over these new textures.
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