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  • The combination of high-pressure pressed wood and paper sheets creates a luminaire with an almost flat, understated appearance, illuminating spaces with indirect light from a subtle presence. This year the Ginger collection expands with two striking floor lamps with movable arms, a larger table lamp and a pendant lamp, a simple wall lamp and another wall lamp with a movable arm. Diffuser and base made of 4mm pressed wood in natural oak or wenge. Heat sink made of injected aluminum and metal stem lacquered in black. Available in Oak and Wenge and in two sizes.
  • Cosy arises from the idea of ​​offering great comfort with a reassuring, warm and familiar gesture. Timeless lines, a soft and enveloping design, adaptability and versatile character make Cosy a padded item that offers maximum comfort in a wide range of situations, environments and settings. Collection of modular padded elements with seats of different depths and lengths; backrests of different heights, either aligned or corner compositions; coffee tables and additional cushions. A highly versatile system designed to allow consumers to choose their favorite composition that meets their needs and blends with any environment, atmosphere, style, and flavor.
  • Theia has two sides; to discover them, simply rotate it gently on its axis. It can be directed towards the user and functions as a reading lamp. This rotation completely changes the perception of the piece, as its metallic diffuser is entirely opaque. Its formal design is elemental and minimalist: two hemispheres, one horizontal and the other vertical, intersecting each other. These basic forms, like those found in nature, allow light from a source to be projected, reflected, and absorbed by objects, to the delight of our eyes. Base and stem made of lacquered iron. Heat sink in lacquered aluminum with integrated switch. Vertical hemisphere of lacquered cast iron, with a white interior, and a transparent smoked thermoformed methacrylate shade. Available in white and black.
  • As its name suggests, the ARPA collection is inspired by the harp, one of the most beautiful and captivating musical instruments. Unlike the meticulous work involved in crafting a harp, the design of this collection employed a rigorous reduction approach, resolving each piece with the fewest possible elements. The ARPA collection combines the stability of its orthogonal outer form with the softness and comfort of its inner cushion cover. Delicate cords add elegance and refinement to each piece, creating a unique sense of lightness, as if the entire cushion's mass were suspended from the frame. Designed to be timeless, ARPA aims to become an icon, not only for its aesthetic appeal but also for its functionality and comfort.
  • Joan Gaspar uses a sealed glass diffuser as a reflector, with the unique feature of placing the light source outside the screen instead of inside it. It emits more light than expected without being dazzling: a large portion of it is directed downwards, and the rest filters into the screen, subtly illuminating it. Frosted blown glass shade with lacquered aluminum heat sink. Lacquered iron base and stem. 3-position sensor dimmer. Available in white and black.
  • As its name suggests, the ARPA collection is inspired by the harp, one of the most beautiful and fascinating musical instruments. Unlike the meticulous work involved in crafting a harp, the design of this collection was based on rigorous reduction, resolving each piece with the fewest possible elements. The ARPA collection combines the stability of the external orthogonal shape with the softness and comfort of the inner cushion cover. Delicate cords lend elegance and refinement to each piece, creating a unique sense of lightness, as if the entire cushion were suspended from the frame. Designed to be timeless, ARPA aims to become an icon, not only for its aesthetic appeal but also for its functionality and comfort.
  • Synthesis, reduction, lightweight. But above all, comfort: these are the principles that Jean Marie Massaud has always followed in his creations. These principles were transferred to the Yale sofa and armchair collection, which in 2011 received the prestigious Golden Compass award for its innovative vision of upholstered sofas and armchairs combined with a minimal support structure. The aluminum frame cradles sophisticated cushions filled with cotton or feathers. Offering the opportunity to play with fabrics, finishes, and colors, Yale, with its strong identity, adapts to all types of interiors, both residential and commercial. This elegance, purified of any mannerism and focused on the essence of the product, can also be found in Yale X, Yale Bed, and Yale Low Table.    
  • Armchair and sofa with a strong personality and large cushions, providing considerable comfort and great functionality. Available in two different seat depths and two different backrest heights, ensuring a comfortable sitting position and adaptability to your needs and preferences. Aluminum composite frame with elastic webbing and die-cast aluminum legs. The frame is finished in matte white, stone gray, and anthracite gray.  
  • The Neil armchair is versatile, vibrant, yet simultaneously an icon of essentiality, perfectly in harmony with the MDF Italia style. These are the main characteristics of the Neil armchair, which now comes in a new version: the Neil Twist Armchair. Its evocative name suggests that the hand-braided rope is the star of the show, with a key detail: the contrasting internal cross-stitch that adds character to the overall look. But the surprises don't end there for the Neil armchair's evolution: it is now available in rope in five different colors, with a base of round steel wire in white, bronze, or black nickel; with or without armrests. In this new version, the Jean Marie Massaud chair is very versatile: it can actually be used both indoors and outdoors, where its neutral or very bright colors will stand out in parks and private gardens, meeting places, hotels and public spaces.
  • The Piola collection seeks to mimic this fluidity of infinite movement, floating around the light, in search of a balance between light diffusion and shadow creation. The spiral shape of the shade breaks the object's monotony, changing with each viewing angle. The central tube conveys symmetry and solidity, contrasting with the volatile and variable shade. Available in four colors, both the structure and the shade are always the same color, so the lamp is perceived as a single object. In this way, by contrast, the light takes center stage. PVC and polyester laminated tape that rotates around a central metal tube lacquered in the same color as the tape. Internal polycarbonate structure that supports the tape.
  • Soho is presented as a statement. It's a tribute to the merits of this lamp, traditionally used in markets, taverns, and cafes. After reflecting on volumes, proportions, and materials, new uses and lighting effects have emerged. The use of rotomolded polyethylene allows for the production of different sizes. While the Soho collection previously offered diameters of 57 cm and 112 cm for large spaces, it is now also available with a smaller, 38 cm shade for more versatile use, as this scale is better suited to smaller spaces. Rotomolded polyethylene shade. Opal methacrylate diffuser. Black lacquered metal frame with cataphoresis anti-corrosion treatment for outdoor use. Available in White, Stone Gray, Black, Sand (Soho 38 version only) and Sky Blue (Soho 38 version only) Available in 3 sizes (112.6cm, 57cm and 38cm)
  • The fluidity of its movements and its perfect stability make this flexible lamp a light source that can be moved around the table without taking up much space. This articulated lamp incorporates LED technology, allowing you to direct the light beam with precision. Lacquered aluminum structure and diffuser. Switch integrated into the diffuser. Metal base with polycarbonate cap. Available in black and white, and with a range of accessories: base, clamp, table stand, wall mount, and floor stand.
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