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The story of the Dipping Light has only just begun. Marset wasn't content with just the two table lamp sizes it has offered until now: its most poetic lamp is expanding its uses and is now available as a portable, standalone lamp, a pendant lamp, a wall lamp, and in a new table lamp size – ø20 cm – somewhere between small and large. The colors remain the same, but the range of styles has been expanded. The new Dipping Light pendant light is stripped down to its essentials, making color the absolute star. That's why creating a composition with several of them results in a captivating visual effect. This new model is available in three different sizes: 12.5, 20, and 30 centimeters in diameter. Bright white blown glass shade with multiple layers of paint. A polycarbonate trim on top completes the spherical shape.
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The name of the Greek goddess Theia—mother of the sun, moon, and dawn—is given to this lamp because its design primarily aims to express the beauty of light and the fascination we feel for it. Theia has two faces; to discover them, simply rotate it gently on its axis. It can be directed towards the user and function as a reading lamp. Or, it can be directed towards an object or a wall, creating a subtle, indirect light effect that instantly warms the room. This rotation completely changes the perception of the piece, as its metal diffuser is entirely opaque. Base and stem made of lacquered iron. Lacquered aluminum heat sink with integrated switch. Vertical hemisphere made of lacquered cast iron, with a white interior, and a transparent, smoked, thermoformed methacrylate shade.
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Vetra might seem like just a traditional blown-glass lamp, but when you turn it on, it holds a surprise. It emits more light than expected without being dazzling: much of it is directed downwards, while the rest filters into the shade, subtly illuminating it. A new color, amber, joins the entire collection to further enhance its relationship with light. A play of contrasts in which the lamp itself becomes more visible and its light, enveloped in color, warmer. Matte blown-glass shade with a lacquered aluminum heat sink.
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Vetra might seem like just a traditional, hand-blown glass lamp, but when you turn it on, it holds a surprise. Joan Gaspar uses a closed glass diffuser as a reflector, with the unique feature of placing the light source outside the shade instead of inside. It emits more light than expected without being dazzling: a large portion of it is directed downwards, and the rest filters into the shade, subtly illuminating it. As if there were an echo and the light were multiplying, when lit it reveals its entire outline, seemingly alive. This collection has been designed for table, pendant, and floor lamps in various diameters – 20, 32, and 43 cm. In the table and floor lamp versions, the stem is divided into two unequal parts, a detail that disrupts its balance, adding beauty and elegantly resolving the cable exit. Frosted blown glass shade with lacquered aluminum heat sink. Lacquered iron base and stem. 3-position sensor dimmer.
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Atlas transforms the ordinary light bulb into a spotlight by encasing it in a sheath that follows its contours. Taking its bareness as a starting point, he dresses it in a transparent garment that also has the virtue of giving it a sense of lightness. Fabricado en policarbonato transparente y una base de poliamida, Atlas también puede instalarse en un carril o en grupos de 2 y 3 unidades. Transparent polycarbonate diffuser that surrounds the bulb. White polyamide ceiling rose.
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The Funiculí is one of Marset's most iconic lamps. It's also functional, offering both direct and indirect light. The fabric of its shade diffuses the light, allowing it to filter through and enhance the overall illumination of the space. While the essence of both lamps remains simplicity, the new design is more striking, classic, and sophisticated. This new collection is available as a floor lamp, table lamp, and wall lamp, in beige or white, with a black frame. Base and stem in black lacquered iron. White or sand-colored shade made of two sheets of PVC and PET. Black rubber surrounds the base. Available in Black-White and Black-Sand. Also available with a different shade design and finishes in Moss Gray (RAL 7003), Off-White (RAL 9001), Black (RAL 9005), Red (RAL 3024), and Blue (RAL 5024).
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Like the echo of a drum, the Djembé collection is designed to be repeated, creating compositions of light. Formally, it's a half-bell shape that reveals its interior, available in various sizes and colors. When combined, these pieces achieve a striking decorative effect, even when switched off. Alternatively, it can be used individually, illuminating the space with a bold presence. Using the rotomolding technique, Joan Gaspar achieves a striking contrast between the exterior and interior of the screen: On the outside, it evokes the texture of stone, creating a sense of weight emphasized by its substantial volume. Inside, the hollow interior reveals a smooth, white space that allows light to reflect. Rotomolded, bi-injected polyethylene shade with a natural stone texture on the exterior and a satin white interior. Gray lacquered aluminum diffuser. Available in White (RAL 1013), Gray (RAL 7022), Red (RAL 3011), and Sky Blue.
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Hazy Day is the result of a meticulous study of light and its diffusion, inspired by that time of day when the sun has not yet risen and the light from the sky is filtered through the mist. As a pendant lamp, the glass globe features a gradient that transitions from the matte finish of the sandblasted glass to a brilliant transparency in the slight curve that crowns the shade. It is available in two diameters: 44 cm and 32 cm. The transparent, blown glass globe has a sandblasted gradient that fades to transparency. The lower part of the glass ends in a transparent curve that reveals the bulb. It has matte white metal brackets.
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Maranga is the name of an invented fruit: exquisite, enticing, succulent. It reinterprets Scandinavian style in terms of the essentiality of form and the rational use of lighting to create a warm and comfortable atmosphere. The screen is made up of 32 segmented pieces that overlap, allowing slivers of light to escape. This interplay of light and shadow creates a rich, nuanced effect and prevents glare, while the lower opening, fitted with a diffuser, emits direct downward light. The screen is composed of 32 polycarbonate pieces joined together to a chromed metal top. At the bottom, there is a transparent polycarbonate diffuser with a prismatic engraving.
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The Pleat Box concept stems from a formal interplay in which the drape of a textile pleat is digitally designed and then applied to the ceramic material. The lamp's exterior is available in white, black, terracotta, and gray ceramic—the result of recycling different glazes. The interior is finished in either glossy white glaze, which emits shimmering reflections that enhance the lamp's light, or 24k gold, generating an exceptionally warm glow. The Pleat Box collection is also available with integrated LED technology, providing indirect lighting that eliminates glare. Ceramic lampshade with a white or gold glazed interior. Ceramic ceiling rose.
Available in White-White, White-Gold, Gray-White, Gray-Gold, Terracotta-White, Terracotta-Gold, Black-White, Black-Gold, Brown-White, and Brown-Gold. -
Moving the light source—this is the idea behind Jaume Ramírez's new design. Milana is a system of modular pendant lamps that can be combined and moved both vertically and horizontally.
Paradoxically, this new design begins with the deconstruction of the lamp archetype: by simplifying it to its bare essentials, it is left with only a suspended cylindrical body with an integrated LED. This cylinder can be fitted with various conical shades in pearl white, black, beige, gray, and red, and in several sizes. But the most ingenious feature is that each of these lamps can be fitted with a simple counterweight, allowing it to be moved when hung between two points. The tubular structure and shade are made of lacquered aluminum with a translucent polycarbonate diffuser. A rope with a counterweight allows the lamp to be moved around the space. -
The name MVV comes from the initials of his name, a way of reclaiming his authorship. This was the wish of his grandson—also an architect—and the collaborators at his studio, Two-bo. Pablo, María, and Alberto have revived this lamp 45 years later. Marset acts as a hinge in time, taking the original design—an octagon with overlapping slats—and updating it by giving it a double skin: cherry wood on the outside of the slats, and white on the inside to optimize the quality of the light. The original dimensions – 45 cm – are respected, and the internal structure, originally made of iron, is now also made of polycarbonate to make it lighter. Using wood as a material, the MVV achieves exceptionally warm lighting. A steel and glossy black polycarbonate structure supports eight PET panels with a cherry wood exterior and a white interior. A transparent methacrylate diffuser sits atop the panel.
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