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  • Chairs with and without arms that feature a minimalist structure with clean, defined geometric shapes. The Ghost chair family has a wooden frame combined with expanded polyurethane upholstery. The key feature of the Ghost chairs is the removable cover, an oversized cover whose profile is highlighted by visible stitching, allowing the chairs to be removed and replaced in an instant. It is a textile design that easily changes the look, allowing you to go from a formal look to an informal one easily and quickly.
  • Attractive Nordic design and industrial touches bring the Brick 221/223 chair family to life. With a simple, clean frame in solid Canaletto walnut with a natural finish or beech lacquered in white, gray, black, ocean, or dove gray, they feature padded backrests and seats for exceptional comfort. Available in two backrest options: a smaller, more modest one, and another with a longer, slightly curved, enveloping backrest.
  • The armless Brick 23 chair features a bright chromed steel rod frame. Its light lines and subtle thicknesses are emphasized by the gray parchment weave of the seat and backrest.
  • Versatile and comfortable, the Allu chair family combines the lightness and essentiality of an anodized aluminum tube frame with a dynamic interplay of textures, created by the natural or gray parchment weave. Capable of integrating seamlessly into any setting, from residential to commercial, Allu is characterized by clean lines and essential geometric forms, and is available in two versions: chair and armchair.
  • Exotic and colorful, the News family of coffee tables/ottomans, with their cylindrical shape, are made from pressed and painted blue newspaper sheets, with a glossy black lacquered MDF top. These versatile decorative accessories utilize recycled materials through the revival of a traditional craft technique.
  • Soft, generous volumes characterize this product, featuring expanded polyurethane fillings and removable covers with visible seams that define its profile. More can be made with any cover from the catalog, under the motto of maximum versatility.
  • The soft, comfortable shapes of poufs 28 and 29 are defined by the French-stitched profile, a signature feature of the LOLL collection. Suitable for both residential and commercial spaces, they are available in two sizes: 105x105xh45 cm and 140x140xh45 cm. The larger size comes with a weighted cushion that serves as a backrest, making both poufs ideal for pairing with the collection's sofas.
  • The Brick 18/19 family of cylindrical poufs is available in two heights. The structure, covered in expanded polyurethane foam for enhanced softness, features a removable cover embellished with visible stitching that outlines its edges.
  • Sections of beech tree trunks, debarked and lacquered in glossy black or white on the exterior, give rise to a family of unconventional coffee tables and poufs that lend a natural appeal to any interior. With the characteristic cylindrical shape of the trunks, they are available in three sizes, S, M, and L, and feature cracks, typical of living wood, highlighting Gervasoni's respect for the nature and quality of the materials.
  • The Inout 45/46 family of aluminum coffee tables comes in two different sizes. These rectangular tables feature a special aluminum finish that creates a mirror effect, allowing light to reflect off the surfaces and generating ever-changing visual appeal. They are not guaranteed for outdoor use.
  • Inout 44 is a coffee table-pouf made of black, white, anthracite grey or white GFRC concrete decorated with black polka dots or black stripes, it is characterized by its champagne cork shape, essential and minimalist.
  • The Inout 47/48/49 family of coffee tables and poufs made of white or anthracite grey GFRC concrete are distinguished by their essential character: available in different heights, they have an asymmetrical totem structure, with a round tabletop, to give rise to products of sophisticated essentiality.
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