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A reimagining of the classic table lamp with a shade, Rodolfo Dordoni designed Lumiere in 1990, which quickly became one of the best-selling pieces in the Foscarini collection. It is characterized by the unique and harmonious combination of the essential shape of the hand-blown glass diffuser and the slender stand with its distinctive aluminum alloy tripod. In 2015, the lamp was updated with new diffuser colors—always white on the inner layer to enhance light reflection—and a new finish for the tripod, demonstrating the enduring appeal of one of the collection's most iconic pieces. Lumiere's refined elegance, its availability in two sizes and four different colors, along with its warm, intense, diffused light, make it perfect for a variety of settings, each with its own distinct style and taste.
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The Tuareg structure draws inspiration from human-made architecture, yet is connected to the natural world, using materials like branches and reeds, according to an instinctive and dynamic creative logic. Chaos transforms into order, creating an unconventional geometry reminiscent of land art. Independently controlled LED light sources are integrated at the end, adjustable 350° to change the lighting effect and the lamp's functionality. The structure is further refined by integrated touch-sensitive switches and a cable management system concealed within the tubular elements. The electronic transformer is located in the plug. The lamp can be operated via a wall switch.
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A fluid vibration across the glass. The Gem lamp is a captivating object, proclaiming at first glance the preciousness of the material and the wisdom of artisanal production. The irregularity of the glass surface, with its constantly shifting waves and reliefs, makes this lamp unmistakable even when switched off and creates unexpected lighting effects when illuminated. This model is part of the Mix & Match system, perfect both as a standalone decorative element to add character to a room and when combined in multiple configurations to harmonize with the entire ambiance. The Gem Tavolo Alta structure is available in three matte finishes. You can choose between a soft, rich, deep gold tone, a cooler, more sophisticated graphite tone, or, once again, white, if you prefer a neutral tone that blends seamlessly into any setting.
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Floor lamp with direct and indirect light. Diffuser and stem made of various materials on a liquid-painted fiberglass base. Four counterweights are included as standard; these are inserted into the corresponding housing above the diffuser to adjust the height. Additional rods are available to extend the arc. The transparent cable has a dimmer switch that functions as both a gradual light intensity regulator and an on/off switch.
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Rich, brilliant, and sophisticated, the Caboche lamp is a mosaic of refractions, a perfect fusion of diverse individual elements into a single form, creating both the lamp's body and its luminous effect. When lit, the light emanates from within the spheres as if they were luminous crystals, illuminating the surroundings 360° while simultaneously providing downward illumination. The Caboche table lamp is a small gem of creativity and technology, available in two versions: transparent and golden yellow. The unique stem design consists of three supports that connect the round base to the diffuser's spherical shape, ensuring coherence, originality, and lightness. Caboche is suitable for both private and public spaces, taking center stage and combining visual impact with lightness, decorative value, and functionality.
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The allure of a woman's braid is the original inspiration for the Tress lamp family. A design idea brought to life by foscarini through the development of a completely original technological process, in which a ribbon of fiberglass and resin, interwoven with an orderly randomness, becomes both the structure and decoration of the lamp. Tress changes personality according to the color: light and discreet in the white version, strong and decisive in the black version, volcanic and totemic in the red version, where the contrast between interior and exterior is even more striking. In the floor-standing version, the frame incorporates the same power cable and simultaneously serves as structure, decoration, and shield, creating an unprecedented interplay of solids and voids, light and shadow. The light that diffuses through the lamp produces a particularly captivating effect thanks to two separate light sources: one in the lower position fully illuminates the interior and highlights the graphic presence of the frame, while the upper one reflects light onto the ceiling. In the medium version, with a single light source at the base within the diffuser, the dimmer on the transparent cable functions as both a gradual light intensity regulator and an on/off switch.
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Born from natural inspiration and in-depth research, Gregg's form evokes a large bowl smoothed by water, or the egg of a mythological creature, a symbol of creation and regeneration. A pure and familiar volume, easily recognizable, yet surprising, because Gregg's asymmetrical shape changes its appearance depending on the viewer's perspective. In a home setting, the warm, uniform light emitted by the white satin diffuser and the minimalist style offer strong functional and decorative value. Furthermore, the bulb shield on each side—thanks to the diffuser's closed shape—protects against glare. Made of polyethylene, a lightweight yet impact- and weather-resistant material, Outdoor Gregg is available in a stand version in three sizes: medium, large, and extra-large, allowing it to blend seamlessly into any setting and create free-form compositions by playing with different sizes and heights.
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"The Light Bulb Series" is a signature collection born from a reflection on the light bulb as an archetype, with the typical bulb shape subverted in a series of surprising provocations. James Wines proposes this reflection by moving between the main themes that have guided his architectural research: inversion, dissolution, nature—all those states of "architectural defect" that allow us to rethink reality. Comprising five pieces, the complete series is dedicated especially to collectors and enthusiasts and is sold in a limited, numbered edition. Foscarini also offers a spin-off of the collection, aimed at a wider audience: White Light and Black Light can be purchased separately. White Light is the matrix, the still-intact foundational icon of an object that has become an archetype of lighting. Black Light is a pure inversion of functions and parts: a lamp holder that emanates light, while the bulb remains black and "dark." An accessible temptation for those passionate about James Wines' conceptual approach and critical reflection.
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Born from natural inspiration and exhaustive research, Gregg's form evokes pebbles polished by water or the egg of a mythological creature, a symbol of creation and regeneration. A pure and familiar volume, easy to interpret yet surprising, because Gregg's asymmetrical shape changes its appearance depending on the viewer's perspective. A fresh take on a traditional material like blown glass becomes a tool for imbuing any space with an original character. The Gregg collection is undoubtedly among the most versatile and adaptable, easily fitting into any setting. The Gregg Tavolo Alta structure is available in three matte finishes. Choose from a soft, rich, deep gold; a cooler, more sophisticated graphite; or, once again, white, for a neutral tone that blends seamlessly into any environment.
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Table lamp with diffused light. Base in die-cast zinc alloy and stem in steel, both liquid-coated. Internal diffuser in opal polycarbonate, injection-molded; external diffuser in translucent polycarbonate, injection-molded. In the large version and the small version with touch dimmer, the sensor is located at the end of the stem arm and allows for stepless adjustment of the light intensity; electronic transformer in the transparent cable. In the small version without dimmer, the on/off switch is located on the transparent cable.
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Diffused light accent lamp with integrated LED. The light body is made of mouth-blown glass that has been subsequently acid-etched. The central hole is cut with a high-pressure, fine water jet, allowing for a high level of precision without altering the glass temperature. The upper slot, where dried decorative branches can be placed (the use of liquids is prohibited), is made of opal borosilicate glass. The lighting component, consisting of a multi-chip LED board, is protected by an opal polycarbonate disc. It features a dimmer switch on the light gray power cord.
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