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Table lamp with diffused light. The diffuser is made of five layers of mouth-blown, glossy, jacketed glass. The inner layer of glass, in a pale yellow "straw" hue, creates a warmer light and a more intense color. The "warm white" version is ivory when on and remains white when off. During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is renewed once again, interpreting contemporary taste to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted by hand in five layers, immediately noticeable thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is renewed once again, interpreting contemporary taste to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted by hand in five layers, immediately noticeable thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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A fluid vibration across the glass. The Gem table lamp is an object that seduces, declaring at first glance the preciousness of the material and the wisdom of its artisanal craftsmanship. Unmistakable even when switched off, it has a satin-gold pedestal that highlights the mouth-blown glass, allowing it to take center stage.
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Suspension lamp with diffused and direct light. The diffuser, made of various materials with a fiberglass base, is manufactured by tape molding on a mold with automatic step/design control and is liquid-painted. The allure of a woman's braid is the original inspiration for the Tress lamp family. A design idea brought to life by foscarini through the development of a completely original technological process, in which a ribbon of fiberglass and resin, woven with an orderly randomness, becomes both the structure and decoration of the lamp. Tress changes personality according to the color: light and discreet in the white version, strong and decisive in the black version, volcanic and totemic in the crimson red version, where the contrast between interior and exterior is even more evident, striking in indigo blue, and supremely contemporary in ecru, a shade between gray and beige. The pendant version—available in medium, small, and mini sizes—is designed to illuminate a specific area in the space below; the large Tress pendant, on the other hand, is characterized by a more diffused light. The various sizes can be used individually to highlight a dark corner or a room's space, or in compositions or rows to create perspective effects.
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A family of lamps with a relaxing light for a wide variety of settings, interpreting the magic of rice paper or mulberry bark—the raw materials of Japanese lamps—in the exquisite form of blown and satin-finished glass. The horizontal lines that intersect the surface of the lamps create a soft and captivating yet modern aesthetic, while also filtering the intensity of the light source, diffusing a full, warm, and gentle light throughout the room. This model is part of the Mix & Match system, perfect both as a standalone decorative element to add character to a room and in multiple configurations to harmonize with the entire ambiance. The Rituals 1 Tavolo Alta structure is available in three matte finishes. You can choose between a soft, rich, and deep gold tone, a cooler and more sophisticated graphite tone, or, once again, white, if you prefer a neutral tone that blends seamlessly into any environment.
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A collection of pendant lamps in two distinct forms. The pendant lamp draws inspiration from the evocative style of antique oriental lanterns and the more domesticated birdcages. Its design originates from the observation of bicycle wheel spokes, from which the project also takes its name: Spokes. The result is a softly shaped lamp with a light volume that contains the light, allowing it to filter into the space. The lightness that characterizes the design is combined with the solidity of its form, crafted from metal rods, and the functionality of the LED light source, which perfectly illuminates the area and creates plays of light and shadow projected onto the walls with a magical, multiplying effect. The design, available in two shapes, two sizes, and two distinct color variations, highlights its versatility, making Spokes a lamp particularly suitable for both residential and public spaces. It can even be perfectly placed in large architectural structures, thanks to the possibility of creating multiple compositions.
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One, two, three light lanterns, yet brimming with a seductive tang. Three distinct yet complementary forms, a balance between East and West. A family of lamps that bring a soothing luminosity to diverse settings, translating the magic of rice paper or mulberry bark—the raw materials of Japanese lamps—into the exquisite appearance of blown and satin-finished glass. The horizontal lines etched onto the lamps' surfaces create a soft and captivating decoration while simultaneously filtering the intensity of the light source, diffusing a full, warm, and gentle glow into the room. The blown-glass body, with its pleasingly plaster-like appearance, is suspended from a base formed by three metal legs: a distinctive element that makes the lamp seem to float. They are perfect used alone or in a harmonious composition of forms; on a bedside table, a console, a table or even on the floor: for an area dedicated to relaxation or as meditation lamps, wisely illuminating both the space in which we live and our inner world.
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Magneto is an essential lamp that possesses an invisible power: the magnetic field of a magnet. The core of the design is a spherical magnet that unites two simple elements: a support stem with a circular base and a compact LED light source, similar to a flashlight or microphone, offering exceptional versatility in terms of angle and movement along the stem. Magneto combines the flexibility of a lamp that adapts to countless situations with absolute formal and functional rigor. The intense, concentrated, and focused light can be directed downwards onto a small area, such as a book, magazine, or computer keyboard, or upwards to create a suggestive atmosphere. This allows it to meet a wide range of needs, from reading to diffused lighting. Magneto is available in two sizes, table or floor lamp, and in two colors, black and white, to characterize diverse spaces and moments: from the office to the living room, from the daytime area to the nighttime area. Always with a special personality, strong and refined, attractive and seductive, in a word: magnetic.
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From the collaboration between Italian designer Luca Nichetto and the multidisciplinary team Nendo, founded by Japanese architect Oki Sato, comes a new project with a light, poetic, and handcrafted style: the Kurage table lamp. Kurage means jellyfish in Japanese, and indeed, this lamp resembles a marine creature that dances lightly, swaying in a soft light achieved through the use of high-quality Japanese washi paper. The diffuser rests simply on a transparent structure designed specifically to ensure the absence of shadows. Kurage is made using a unique three-dimensional technique for hand-crafted washi paper. Using mulberry tree fibers, a smooth yet porous paper is obtained that filters the light, creating a relaxed, warm, and captivating atmosphere, capable of seducing both the intellect and the heart. The project is completed by four slender legs in natural ash wood, a white ceramic lamp holder, and an electrical cable covered with a paper fiber sheath.
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Filo was born from the desire to highlight the different parts that make up a lamp—light source, decoration, and electrical cable—by articulating their structural and aesthetic characteristics, simplifying grammar and syntax. Its essentiality stems from the decision to use decoration to unify the elements, incorporating features not traditionally included. Now, the electrical cable engages in a dialogue with the glass elements and the light diffuser in a rhythmic interplay of roles. While the energy that allows the lamp to perform its illuminating function runs along the cable, the cable also passes through glass spheres and balls, transforming it into the archetype of a necklace, with a cone-shaped porcelain body that projects light onto the cable and the glass spheres, ideally positioned as its pendant. A generous array of colors animates the lamp with multiple identities, from watercolor tones and Murano glass transparencies, to the bright polychromes with an ethnic flavor, to the fluorescent tones of contemporary urban landscapes, allowing it to integrate into the most varied environments.
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Rituals lamps speak the language of beauty and poetry. They feature mouth-blown glass enriched with fine incisions, reminiscent of the polishing process, the result of masterful craftsmanship. Rituals XL stands out for its generous dimensions and its full, warm, and soft light. Part of the Mix&Match system, Rituals XL Tavolo is available in three colors and can be flexibly combined to define and harmonize the lighting of different spaces. A family of lamps with a relaxing light for very diverse environments that interprets the magic of rice paper or mulberry bark, raw material of Japanese lamps, in the precious corporeality of blown and satin glass.
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Chouchin is a Japanese word that refers to the traditional and symbolic paper and bamboo lanterns used as illuminated signs outside businesses or as amulets on the exterior of homes. Sober and elegant, Chouchin combines artisanal expertise with a modern and minimalist style. The Chouchin family consists of three models with a colored body in matte glass. Alongside the first version, we find a new version: Chouchin Reverse. The shapes remain the same, but the colors are reversed; the diffuser becomes white while the neck retains the color of the previous version. It's not just a new color, but a new light, a new use. Chouchin Reverse, thanks to its clear blown-glass diffuser, doesn't simply direct light downwards—like the original Chouchin—but also spreads a bright, fluid, and evocative light throughout the surrounding environment.
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