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Table and accent lamp with diffused light. Born from natural inspiration and in-depth research, Gregg's form evokes a large bowl smoothed by water, or the egg of a mythological creature, a symbol of creation and regeneration. A pure and familiar volume, easily recognizable, yet surprising, because Gregg's asymmetrical shape changes its appearance depending on the viewer's perspective. This innovative approach to a traditional material like glass thus becomes a tool in the designer's hands to give a space an original character. Available in three different sizes for pendant, table, ceiling, and wall mounting, the Gregg collection is undoubtedly among the most versatile and adaptable, fitting seamlessly into any setting.
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Table lamp with diffused light. The diffuser is made of five layers of mouth-blown, glossy, jacketed glass. The inner layer of glass, in a pale yellow "straw" hue, creates a warmer light and a more intense color. The "warm white" version is ivory when on and remains white when off. During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is renewed once again, interpreting contemporary taste to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted by hand in five layers, immediately noticeable thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is renewed once again, interpreting contemporary taste to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted by hand in five layers, immediately noticeable thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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A fluid vibration across the glass. The Gem table lamp is an object that seduces, declaring at first glance the preciousness of the material and the wisdom of its artisanal craftsmanship. Unmistakable even when switched off, it has a satin-gold pedestal that highlights the mouth-blown glass, allowing it to take center stage.
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Suspension lamp with diffused and direct light. The diffuser, made of various materials with a fiberglass base, is manufactured by tape molding on a mold with automatic step/design control and is liquid-painted. The allure of a woman's braid is the original inspiration for the Tress lamp family. A design idea brought to life by foscarini through the development of a completely original technological process, in which a ribbon of fiberglass and resin, woven with an orderly randomness, becomes both the structure and decoration of the lamp. Tress changes personality according to the color: light and discreet in the white version, strong and decisive in the black version, volcanic and totemic in the crimson red version, where the contrast between interior and exterior is even more evident, striking in indigo blue, and supremely contemporary in ecru, a shade between gray and beige. The pendant version—available in medium, small, and mini sizes—is designed to illuminate a specific area in the space below; the large Tress pendant, on the other hand, is characterized by a more diffused light. The various sizes can be used individually to highlight a dark corner or a room's space, or in compositions or rows to create perspective effects.
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A family of lamps with a relaxing light for a wide variety of settings, interpreting the magic of rice paper or mulberry bark—the raw materials of Japanese lamps—in the exquisite form of blown and satin-finished glass. The horizontal lines that intersect the surface of the lamps create a soft and captivating yet modern aesthetic, while also filtering the intensity of the light source, diffusing a full, warm, and gentle light throughout the room. This model is part of the Mix & Match system, perfect both as a standalone decorative element to add character to a room and in multiple configurations to harmonize with the entire ambiance. The Rituals 1 Tavolo Alta structure is available in three matte finishes. You can choose between a soft, rich, and deep gold tone, a cooler and more sophisticated graphite tone, or, once again, white, if you prefer a neutral tone that blends seamlessly into any environment.
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A collection of pendant lamps in two distinct forms. The pendant lamp draws inspiration from the evocative style of antique oriental lanterns and the more domesticated birdcages. Its design originates from the observation of bicycle wheel spokes, from which the project also takes its name: Spokes. The result is a softly shaped lamp with a light volume that contains the light, allowing it to filter into the space. The lightness that characterizes the design is combined with the solidity of its form, crafted from metal rods, and the functionality of the LED light source, which perfectly illuminates the area and creates plays of light and shadow projected onto the walls with a magical, multiplying effect. The design, available in two shapes, two sizes, and two distinct color variations, highlights its versatility, making Spokes a lamp particularly suitable for both residential and public spaces. It can even be perfectly placed in large architectural structures, thanks to the possibility of creating multiple compositions.
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One, two, three light lanterns, yet brimming with a seductive tang. Three distinct yet complementary forms, a balance between East and West. A family of lamps that bring a soothing luminosity to diverse settings, translating the magic of rice paper or mulberry bark—the raw materials of Japanese lamps—into the exquisite appearance of blown and satin-finished glass. The horizontal lines etched onto the lamps' surfaces create a soft and captivating decoration while simultaneously filtering the intensity of the light source, diffusing a full, warm, and gentle glow into the room. The blown-glass body, with its pleasingly plaster-like appearance, is suspended from a base formed by three metal legs: a distinctive element that makes the lamp seem to float. They are perfect used alone or in a harmonious composition of forms; on a bedside table, a console, a table or even on the floor: for an area dedicated to relaxation or as meditation lamps, wisely illuminating both the space in which we live and our inner world.
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Pendant lamps with diffused light. One, two, three light lanterns, yet brimming with seductive tang. Three distinct yet complementary forms, a balance between East and West. A family of lamps that brings a relaxing luminosity to diverse environments, translating the magic of rice paper or mulberry bark—the raw material of Japanese lamps—into the exquisite appearance of blown and satin-finished glass. The horizontal lines etched onto the surface of the lamps create a soft and captivating aesthetic while simultaneously filtering the intensity of the light source, diffusing a full, warm, and gentle glow into the room. With their hand-blown glass bodies and pleasingly plaster-like appearance, the Rituals pendant lamps can be used individually or in harmonious arrangements of 3 to 9 lamps, thanks to the use of a multi-canopy.
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Aplomb is a small cement pendant lamp that creates direct, focused lighting on the lower level. Exposed cement is part of the expressive language of modern architecture, and Foscarini, with Aplomb, uses this material with a completely original spirit and technology. The lamp displays a light, elegant, and formally simple character that softens the solidity of the cement, highlighting its material aspect, which is both pure and refined. Its small size allows it to be used alone, for example, on a small table, in rows to illuminate a level, or in compositions of varying heights. The GU10 version is available in six colors, with pigments added directly to the cement mixture, each enhancing the lamp's personality in a distinct way: natural gray emphasizes the materiality, brown adds a warm and intense note, while white highlights its elegance. Dark red, sand yellow, and olive green are the colors that complement the shades already available in the catalog.
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Plena features dual lighting: reflected towards the floor and diffused towards the ceiling. It's a light of special charm and interest, capable of fully illuminating a room while remaining soft and enveloping. When placed on a table, Plena never dazzles. These two elements complement each other, with a design feature that has almost poetic intentions: the moon-shaped disc transforms into a feather, thanks to the arched line that conveys a sense of lightness and flight. Plena is suitable for both domestic and commercial spaces. Its appearance changes depending on the perspective from which it is viewed: it is a lamp that works well on its own, on a table, but also when displayed together in large spaces such as an entrance hall or large commercial areas.
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Rich, brilliant, and sophisticated, the Caboche lamp is a mosaic of refractions, a perfect fusion of diverse individual elements into a single form that together create the lamp's body and luminous effect. When lit, the light radiates from within the spheres as if from luminous crystals, illuminating the surrounding space. The Caboche ceiling lamp is a jewel of creativity and technology, available in two versions: transparent and golden yellow. Suitable for both private and public spaces, it commands attention and combines visual impact with lightness, decorative value, and functionality.
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