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  • Designed by Foscarini's founders during the company's early years, Folio is a tribute to the simplicity of small gestures that transform a lighting design into a decorative piece. It is a lamp reminiscent of a taut sheet of paper, with two corners gently folded towards the wall or ceiling, a movement barely suggested but sufficient to add volume to the two-dimensional form of the leaf. Two small screws attach the blown-glass diffuser to the metal support, two points that become a delicate decorative element. Folio's light source is housed within the metal support and diffuses a warm, intense light through its satin shade.
  • Allegro is a family of pendant lamps that take shape thanks to gravity, crafted with metallic lines that trace the light and emit sounds when touched. The collection's name is inspired by this "musicality." Three versions are available, depending on the finish of the metal elements, to express three distinct styles: Allegro Ritmico in graphite, Allegro Vivace in copper, and Allegro Assai in gold. Their large size makes them ideal for highlighting spacious areas, both public and private, guaranteeing diffused, direct downward lighting that also reflects off the ceiling.
  • This new family of pendant lamps takes its name from the traditional Japanese paper and bamboo lanterns, used as magnificent, luminous signs outside businesses or as amulets outside homes. Their traditional form has inspired a creation in a purely contemporary spirit, crafted from an ancient material: blown glass. This glass is painted to be completely opaque to light from the inside and brilliant from the outside, except for the bottom edge. The result is a warm, rich, and beautiful color, with a luminous neck from which an intense, direct beam of light is projected downwards. The family consists of three models, in which color is an integral part of the form: orange for the large version, gray for the small, and green for the elongated one. These shapes and tones accentuate the individuality of each model, while also allowing them to be coordinated in multiple compositions.
  • Pendant lamps with diffused light. One, two, three light lanterns, yet brimming with seductive tang. Three distinct yet complementary forms, a balance between East and West. A family of lamps that brings a relaxing luminosity to diverse environments, translating the magic of rice paper or mulberry bark—the raw material of Japanese lamps—into the exquisite appearance of blown and satin-finished glass. The horizontal lines etched onto the surface of the lamps create a soft and captivating aesthetic while simultaneously filtering the intensity of the light source, diffusing a full, warm, and gentle glow into the room. With their hand-blown glass bodies and pleasingly plaster-like appearance, the Rituals pendant lamps can be used individually or in harmonious arrangements of 3 to 9 lamps, thanks to the use of a multi-canopy.
  • The Satellight wall lamp, with a soft and dreamy luminosity that spreads from a frosted glass globe, has a visual effect similar to a transparent glass curtain.
  • Its youthful, light design, reminiscent of a cigar—from which it ironically takes its name—the soft light it emits, and its ease of adaptation to diverse settings have made it a highly successful model, even earning it a place in the permanent collection of the Museum of Modern Art (MoMA) in New York. The diffuser consists of four segments in satin-finish polyethylene. Small, circular metal hooks connect two successive elements without them touching, leaving space for three thin, hollow bands that fill with light when the lamp is on. Havana is available in floor, pendant, and wall versions.
  • The first lamp designed by Ferruccio Laviani with sculpture in mind has been adapted into a wall lamp: the five diffusers of Orbital become the five different versions of Bit, a modular wall light. Each screen-printed industrial glass panel has an irregular shape, creating a striking graphic effect, whether used individually or in multifaceted compositions. The white version is particularly effective when used tone-on-tone to highlight the shapes that appear to be cut out from the wall. The colored diffusers, on the other hand, evoke a surrealist drawing when the lamps are off, and the light plays with the mosaic-like stained glass when they are on. The attention to detail extends to the surface treatment of the diffusers, satin-finished on the outside to give the color a rich, rich texture and highlight the shapes, and glossy on the inside to reflect the light.
  • A panoramic and evocative view of his homeland, inspired by designer Vicente García Jiménez, is the inspiration behind Fields, a modular wall lamp. This system of bands and panels in gradient colors, varying sizes, and materials combines and overlaps, playing with different levels, tone upon tone, reminiscent of an aerial view of the fields of La Mancha. Its modular design is one of its key features: it is offered in three distinct elements, which can be used individually or combined as desired. Fields 1 is a single, long metal rod with a special wall-mounting system that allows it to be tilted up or down. Fields 2 and 3 combine various elements in two different compositions, arranged horizontally and vertically. Fields is available in orange, a striking color that can illuminate an entire wall, or in white, a refined tone upon tone that maximizes the warm light it emits.
  • A soft, blown-glass volume, a closed line that houses the two light sources and curves towards the wall in the space between them. This is Double, the wall lamp that has become a Foscarini classic, featured in the catalog since 1996. The diffuser's movement is accentuated by its glossy surface, creating an elegant interplay of reflections. Double diffuses intense light, projecting a beam of illumination both upwards and downwards onto the wall, coinciding with the two open sides. It is available in two different colors—white and ivory—to suit a variety of furnishing styles.
  • Wall and ceiling lamp with reflected and diffused light. Composed of two oval plates in white matte polycarbonate, injection-molded and mounted asymmetrically. The larger plate serves as the wall bracket, while the central plate conceals the lighting unit.
  • Designed by Foscarini's founders during the company's early years, Folio is a tribute to the simplicity of small gestures that transform a lighting design into a decorative piece. It is a lamp reminiscent of a taut sheet of paper, with two corners gently folded towards the wall or ceiling, a movement barely suggested but sufficient to add volume to the two-dimensional form of the leaf. Two small screws attach the blown-glass diffuser to the metal support, two points that become a delicate decorative element. Folio's light source is housed within the metal support and diffuses a warm, intense light through its satin shade.
  • A soft, blown-glass volume appears to be secured by a satin-finished metal button, a signature element of the Circus collection, positioned precisely at the central opening. The name itself evokes its circular profile, a timeless shape that has been part of the collection since 1994. Available as a wall or ceiling lamp, Circus furnishes spaces with its simple and balanced structure, accentuated by the intense glow filtering through the white diffuser. The glossy surface enhances its essential form with a play of elegant reflections. It is available in two sizes.
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