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This 20.VENTI office system features an iconic linear design typical of MDF Italia's signature style. A reflection on the desk, the archetypal workstation, it proposes creating an office environment with a contemporary twist. The contrast between solid and void, the carefully considered combination of various finishes, and the integrated cables within the frame define a fresh approach to office furniture. The technical challenge begins with the use of a slim frame generated by a 20x20 profile, a feature that blends perfectly with other MDF Italia board and storage collections. The 20.VENTI collection includes both individual desks and double workstations, which can be added together, and a wide selection of screens and accessories. Designed by 967Arch for MDF Italia to offer a wide variety of dimensions and finishes for workspaces, administrative offices and residential environments where nomadic tech work tables are becoming a common feature.
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The fabric of its shade unlocks the light and allows it to filter through, bringing more illumination to the space. The essence of both lamps remains simplicity, but the new design is more striking and classic, more sophisticated. This new collection is available in floor, table, and wall lamp categories, in two colors: beige or white, and always with a black frame. The stem and mounting are made of black lacquered iron. The shade is made of white or sand-colored polyester, composed of two layers of PVC and PET. Available in Black-White and Black-Sand finishes.
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The Bohemia is a unique lamp. Joan Gaspar designed a large, highly efficient pendant lamp that closely resembles glass. A difficult challenge that the designer overcomes by using polycarbonate as the material. This lamp boasts an organic, anything but boring, translucent profile that integrates two volumes into a single form. The result is a large shade available in various colors that don't clash with the interior—always white—providing impeccable lighting, free from chromatic contamination. When lit, it casts white light downwards while simultaneously emitting nuances and shadows on the screen that enrich its form. The Bohemia is bright, striking, with exceptional light, and aims to surprise the viewer. Translucent, two-layer, rotomolded polycarbonate screen, always with a white interior. Opal methacrylate diffuser in the LED version.
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The story of the Dipping Light has only just begun. Marset wasn't content with just the two table lamp sizes it has offered until now: its most poetic lamp is expanding its uses and is now available as a portable, standalone lamp, a pendant lamp, a wall lamp, and in a new table lamp size – ø20 cm – somewhere between small and large. The colors remain the same, but the range of styles has been expanded. The new Dipping Light pendant light is stripped down to its essentials, making color the absolute star. That's why creating a composition with several of them results in a captivating visual effect. This new model is available in three different sizes: 12.5, 20, and 30 centimeters in diameter. Bright white blown glass shade with multiple layers of paint. A polycarbonate trim on top completes the spherical shape.
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Vetra might seem like just a traditional blown-glass lamp, but when you turn it on, it holds a surprise. It emits more light than expected without being dazzling: much of it is directed downwards, while the rest filters into the shade, subtly illuminating it. A new color, amber, joins the entire collection to further enhance its relationship with light. A play of contrasts in which the lamp itself becomes more visible and its light, enveloped in color, warmer. Matte blown-glass shade with a lacquered aluminum heat sink.
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Atlas transforms the ordinary light bulb into a spotlight by encasing it in a sheath that follows its contours. Taking its bareness as a starting point, he dresses it in a transparent garment that also has the virtue of giving it a sense of lightness. Fabricado en policarbonato transparente y una base de poliamida, Atlas también puede instalarse en un carril o en grupos de 2 y 3 unidades. Transparent polycarbonate diffuser that surrounds the bulb. White polyamide ceiling rose.
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Like the echo of a drum, the Djembé collection is designed to be repeated, creating compositions of light. Formally, it's a half-bell shape that reveals its interior, available in various sizes and colors. When combined, these pieces achieve a striking decorative effect, even when switched off. Alternatively, it can be used individually, illuminating the space with a bold presence. Using the rotomolding technique, Joan Gaspar achieves a striking contrast between the exterior and interior of the screen: On the outside, it evokes the texture of stone, creating a sense of weight emphasized by its substantial volume. Inside, the hollow interior reveals a smooth, white space that allows light to reflect. Rotomolded, bi-injected polyethylene shade with a natural stone texture on the exterior and a satin white interior. Gray lacquered aluminum diffuser. Available in White (RAL 1013), Gray (RAL 7022), Red (RAL 3011), and Sky Blue.
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Hazy Day is the result of a meticulous study of light and its diffusion, inspired by that time of day when the sun has not yet risen and the light from the sky is filtered through the mist. As a pendant lamp, the glass globe features a gradient that transitions from the matte finish of the sandblasted glass to a brilliant transparency in the slight curve that crowns the shade. It is available in two diameters: 44 cm and 32 cm. The transparent, blown glass globe has a sandblasted gradient that fades to transparency. The lower part of the glass ends in a transparent curve that reveals the bulb. It has matte white metal brackets.
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Maranga is the name of an invented fruit: exquisite, enticing, succulent. It reinterprets Scandinavian style in terms of the essentiality of form and the rational use of lighting to create a warm and comfortable atmosphere. The screen is made up of 32 segmented pieces that overlap, allowing slivers of light to escape. This interplay of light and shadow creates a rich, nuanced effect and prevents glare, while the lower opening, fitted with a diffuser, emits direct downward light. The screen is composed of 32 polycarbonate pieces joined together to a chromed metal top. At the bottom, there is a transparent polycarbonate diffuser with a prismatic engraving.
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The Pleat Box concept stems from a formal interplay in which the drape of a textile pleat is digitally designed and then applied to the ceramic material. The lamp's exterior is available in white, black, terracotta, and gray ceramic—the result of recycling different glazes. The interior is finished in either glossy white glaze, which emits shimmering reflections that enhance the lamp's light, or 24k gold, generating an exceptionally warm glow. The Pleat Box collection is also available with integrated LED technology, providing indirect lighting that eliminates glare. Ceramic lampshade with a white or gold glazed interior. Ceramic ceiling rose.
Available in White-White, White-Gold, Gray-White, Gray-Gold, Terracotta-White, Terracotta-Gold, Black-White, Black-Gold, Brown-White, and Brown-Gold. -
The collection of lamps in two different sizes now features three possible finishes: material, wood, or glossy transparent in different colors.
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An essential lamp characterized by its subtle interpretations of the theme. Made of transparent methacrylate in every color of the rainbow, the shade isn't perfectly hemispherical, but the cut is below the diameter to maximize light collection. Furthermore, the material's unique transparency and the shimmering colors evoke a soap bubble, iridescent with light reflections. They are individually packaged, but also come in sets that enhance their delicate chromatic variations.
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