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Rituals is a meeting point between East and West, memory and contemporary design, poetic inspiration and technological research. A family of distinct yet complementary forms translates the luminous magic of oriental rice paper lanterns into the exquisite appearance of blown glass. The unique glasswork, with its irregular lines that indent the surface, is achieved through the industrialization of the traditional polishing process. The result is a soft and captivating decoration that creates an inimitable chiaroscuro effect and a soft, diffused light. The wall-mounted versions of Rituals are striking at first glance due to their strong presence. Made of powder-coated metal, their square and robust form contrasts with the soft, ethereal, and irregularly finished volume of the blown glass diffuser, like two complementary aspects—one technical and the other emotional—of a unique personality. Similar to the pedestal of a work of art, the structure showcases the precious blown glass in its entirety, 360°, highlighting the lamp's distinctive luminosity. Its inverted L-shape allows for various configurations, facing upwards or downwards. It supports the diffuser, available in two sizes, like a lantern, or it appears to float in the air. A version with two diffusers, one above and one below the wall mount, is also available upon request.
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Rituals is a meeting point between East and West, memory and contemporary design, poetic inspiration and technological research. A family of distinct yet complementary forms translates the luminous magic of oriental rice paper lanterns into the exquisite appearance of blown glass. The unique glasswork, with its irregular lines that indent the surface, is achieved through the industrialization of the traditional polishing process. The result is a soft and captivating decoration that creates an inimitable chiaroscuro effect and a soft, diffused light. The wall-mounted versions of Rituals are striking at first glance due to their strong presence. Made of powder-coated metal, their square and robust form contrasts with the soft, ethereal, and irregularly finished volume of the blown glass diffuser, like two complementary aspects—one technical and the other emotional—of a unique personality. Similar to the pedestal of a work of art, the structure showcases the precious blown glass in its entirety, 360°, highlighting the lamp's distinctive luminosity. Its inverted L-shape allows for various configurations, facing upwards or downwards. It supports the diffuser, available in two sizes, like a lantern, or it appears to float in the air. A version with two diffusers, one above and one below the wall mount, is also available upon request.
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lnnerlight is a wall light that captivates even when switched off, thanks to the interplay of light and shadow it creates. Its essential design stems from a careful study of its component elements: three overlapping bands that cast shadows at varying levels, subtly concave and with different angles, creating a geometric yet soft effect. A three-dimensional composition that further transforms in meaning and function when the lamp is switched on. The luminous bands bounce off the wall, outlining the lamp's contours and reflecting within each of the metal bands, with an illuminating effect that spreads in various directions. lnnerlight is a graphic and luminous presence, both in the version with white bands, where the true protagonist is pure light, and in the version with a textured finish. Suitable for both domestic and collective spaces, Innerlight reveals its dual personality in every situation: wall sculpture and lighting fixture, with its own graphic value and personality, without ever overshadowing other decorative elements, thanks to its essential style and serene luminosity.
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A soft, blown-glass volume appears to be secured by a satin-finished metal button, a signature element of the Circus collection, positioned precisely at the central opening. The name itself evokes its circular profile, a timeless shape that has been part of the collection since 1994. Available as a wall or ceiling lamp, Circus furnishes spaces with its simple and balanced structure, accentuated by the intense glow filtering through the white diffuser. The glossy surface enhances its essential form with a play of elegant reflections. It is available in two sizes.
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Tutu is a wall lamp that provides indirect, diffused light. A simple band of blown glass bends to define the profile of a soft volume that houses the light source. This is Tutu: a wall light that holds the diffuser and the mount together with a pin, a structure reminiscent of a ballerina's bun. Its asymmetrical shape, with two parallel sides of different lengths, makes it even more versatile: it can be mounted with the long side facing up or down. Tutu emits an intense beam of light both upwards and downwards on the wall, and through the diffuser, it projects a warm light into the room.
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A wall lamp with diffused and reflected light. Its form is composed of overlapping, asymmetrical, and dynamically irregular bands that act as reflectors on the inside and diffusers on the outside, creating a warm, sunlit, graphic, and luminous effect. This concept, which originated with the Le Soleil pendant lamp, expands into a system, including a wall model, with the same unmistakable stage presence and captivating luminosity, whether used alone or in coordinated compositions. The wall version of Le Soleil is not simply an adaptation of the pendant model; its proportions have been completely redesigned to suit its intended use on a wall. Combined with the suspension model in a daytime space, or alone in an entrance or hallway, on the stairs, next to the bed instead of a traditional bedside or floor lamp, with Le Soleil wall it is possible to explore a universe of possibilities, thanks also to the irregular design of the bands, which make it always different, depending on the point of view of the observer.
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Designed by Foscarini's founders during the company's early years, Folio is a tribute to the simplicity of small gestures that transform a lighting design into a decorative piece. It is a lamp reminiscent of a taut sheet of paper, with two corners gently folded towards the wall or ceiling, a movement barely suggested but sufficient to add volume to the two-dimensional form of the leaf. Two small screws attach the blown-glass diffuser to the metal support, two points that become a delicate decorative element. Folio's light source is housed within the metal support and diffuses a warm, intense light through its satin shade.
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A soft, blown-glass volume, a closed line that houses the two light sources and curves towards the wall in the space between them. This is Double, the wall lamp that has become a Foscarini classic, featured in the catalog since 1996. The diffuser's movement is accentuated by its glossy surface, creating an elegant interplay of reflections. Double diffuses intense light, projecting a beam of illumination both upwards and downwards onto the wall, coinciding with the two open sides. It is available in two different colors—white and ivory—to suit a variety of furnishing styles.
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A panoramic and evocative view of his homeland, inspired by designer Vicente García Jiménez, is the inspiration behind Fields, a modular wall lamp. This system of bands and panels in gradient colors, varying sizes, and materials combines and overlaps, playing with different levels, tone upon tone, reminiscent of an aerial view of the fields of La Mancha. Its modular design is one of its key features: it is offered in three distinct elements, which can be used individually or combined as desired. Fields 1 is a single, long metal rod with a special wall-mounting system that allows it to be tilted up or down. Fields 2 and 3 combine various elements in two different compositions, arranged horizontally and vertically. Fields is available in orange, a striking color that can illuminate an entire wall, or in white, a refined tone upon tone that maximizes the warm light it emits.
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The first lamp designed by Ferruccio Laviani with sculpture in mind has been adapted into a wall lamp: the five diffusers of Orbital become the five different versions of Bit, a modular wall light. Each screen-printed industrial glass panel has an irregular shape, creating a striking graphic effect, whether used individually or in multifaceted compositions. The white version is particularly effective when used tone-on-tone to highlight the shapes that appear to be cut out from the wall. The colored diffusers, on the other hand, evoke a surrealist drawing when the lamps are off, and the light plays with the mosaic-like stained glass when they are on. The attention to detail extends to the surface treatment of the diffusers, satin-finished on the outside to give the color a rich, rich texture and highlight the shapes, and glossy on the inside to reflect the light.
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Its youthful, light design, reminiscent of a cigar—from which it ironically takes its name—the soft light it emits, and its ease of adaptation to diverse settings have made it a highly successful model, even earning it a place in the permanent collection of the Museum of Modern Art (MoMA) in New York. The diffuser consists of four segments in satin-finish polyethylene. Small, circular metal hooks connect two successive elements without them touching, leaving space for three thin, hollow bands that fill with light when the lamp is on. Havana is available in floor, pendant, and wall versions.
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The Satellight wall lamp, with a soft and dreamy luminosity that spreads from a frosted glass globe, has a visual effect similar to a transparent glass curtain.
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