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A true icon made by Kartell, winner of the 2001 Compasso d’Oro award, the Bubble Club sofa, crafted from block-painted polyethylene, pioneered a new concept in interior design: the industrial sofa made entirely of plastic. Alongside the traditional colors, the Bubble Club is now available in two new shades: pale pink and olive green.
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Table lamp with diffused light. The diffuser is made of five layers of mouth-blown, glossy, jacketed glass. The inner layer of glass, in a pale yellow "straw" hue, creates a warmer light and a more intense color. The "warm white" version is ivory when on and remains white when off. During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is renewed once again, interpreting contemporary taste to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted by hand in five layers, immediately noticeable thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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Diffused light pendant lamp. Mouth-blown, jacketed glass diffuser, white on the inside and colored on the outside with a glossy finish. With a "straw" interior, the "warm white" version appears ivory when lit and remains white when off. During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is being revamped once again, interpreting contemporary tastes to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted with five layers of artisanal technique, immediately apparent thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is renewed once again, interpreting contemporary taste to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted by hand in five layers, immediately noticeable thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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Table lamp with diffused light. The diffuser is made of five layers of mouth-blown, glossy, jacketed glass. The inner layer of glass, in a pale yellow "straw" hue, creates a warmer light and a more intense color. The "warm white" version is ivory when on and remains white when off. During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is renewed once again, interpreting contemporary taste to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted by hand in five layers, immediately noticeable thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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The Burger sideboard is a solidly built unit with ample storage space. The top and base are made from two sturdy pieces, while the sides are open. This design resembles a hamburger, hence the name. Available in various configurations, with doors or a combination of doors and drawers.
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These ideas formed the basis of their first collection of 14 pieces, which included wall clocks and small table clocks with a completely new style and were introduced to the market in 1949. Although all models shared a common characteristic – the absence of numbers – the diversity of shapes, colors, materials and designs could not have been greater.
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Sori Yanagi was born in 1915 in Tokyo. She studied at the local art school and worked between 1940 and 1942 in the office of designer Charlotte Perriand. In 1952, he founded the Yanagi Industrial Design Institute, which over time would design an extraordinary number of furniture pieces and everyday objects. Sori Yanagi's organically shaped designs combined Western industrial design with traditional Japanese craftsmanship. Thus, Sori Yanagi became one of the most significant Japanese designers of the postwar era. In addition to furniture, he designed lamps, glassware, cutlery, children's toys, subway stations, cars, and motorcycles.
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