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Allegro is a family of pendant lamps that take shape thanks to gravity, crafted with metallic lines that trace the light and emit sounds when touched. The collection's name is inspired by this "musicality." Three versions are available, depending on the finish of the metal elements, to express three distinct styles: Allegro Ritmico in graphite, Allegro Vivace in copper, and Allegro Assai in gold. Their large size makes them ideal for highlighting spacious areas, both public and private, guaranteeing diffused, direct downward lighting that also reflects off the ceiling.
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Plass, whose name is a synthesis of "plastic" and "glass," interprets the age-old artisanal tradition of glassmaking through the lens of a contemporary material and process: rotationally molded transparent polycarbonate. Thanks to this technology, not yet widely used in the lighting sector, the finishes are not impersonal and cold; on the contrary, they are characterized by subtle irregularities, highlighted by the light source, as in handcrafted glass. The colors chosen for the diffuser, blue-green and gray, are inspired by Murano glass and Venetian craftsmanship. In addition to evoking an atmosphere and emotion, the color contributes to defining the lamp's form, highlighting the depth of the incisions on its surfaces. Suspended between memory and the present, Plass lends itself to defining large spaces, even those with significant verticality, whether used alone or in multiple compositions.
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Diffused light pendant lamp. Mouth-blown, jacketed glass diffuser, white on the inside and colored on the outside with a glossy finish. With a "straw" interior, the "warm white" version appears ivory when lit and remains white when off. During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is being revamped once again, interpreting contemporary tastes to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted with five layers of artisanal technique, immediately apparent thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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Chouchin is a Japanese word that refers to the traditional and symbolic paper and bamboo lanterns used as illuminated signs outside businesses or as amulets on the exterior of homes. Sober and elegant, Chouchin combines artisanal expertise with a modern and minimalist style. The Chouchin family consists of three models with a colored body in matte glass. Alongside the first version, we find a new version: Chouchin Reverse. The shapes remain the same, but the colors are reversed; the diffuser becomes white while the neck retains the color of the previous version. It's not just a new color, but a new light, a new use. Chouchin Reverse, thanks to its clear blown-glass diffuser, doesn't simply direct light downwards—like the original Chouchin—but also spreads a bright, fluid, and evocative light throughout the surrounding environment.
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One, two, three light lanterns, yet brimming with seductive tang. Three distinct yet complementary forms, a balance between East and West. A family of lamps that brings a soothing light to diverse settings, translating the magic of rice paper or mulberry bark—the raw materials of Japanese lamps—into the exquisite appearance of blown and satin-finished glass. The horizontal lines etched onto the surface of the lamps create a soft and captivating aesthetic while simultaneously filtering the intensity of the light source, diffusing a full, warm, and gentle glow into the room. With their hand-blown glass bodies and pleasingly plaster-like appearance, the Rituals pendant lamps can be used individually or in harmonious arrangements of 3 to 9 lamps, thanks to the use of a multi-canopy.
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Chouchin is a Japanese word that refers to the traditional and symbolic paper and bamboo lanterns used as illuminated signs outside businesses or as amulets on the exterior of homes. Sober and elegant, Chouchin combines artisanal expertise with a modern and minimalist style. The Chouchin family consists of three models with a colored body in matte glass. Alongside the first version, we find a new version: Chouchin Reverse. The shapes remain the same, but the colors are reversed; the diffuser becomes white while the neck retains the color of the previous version. It's not just a new color, but a new light, a new use. Chouchin Reverse, thanks to its clear blown-glass diffuser, doesn't simply direct light downwards—like the original Chouchin—but also spreads a bright, fluid, and evocative light throughout the surrounding environment.
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Aplomb Large is a new cement lamp with a distinct shape and functionality compared to the original version. In addition to being wider, Aplomb Large features an integrated LED light source, recessed into the lamp body, which provides a broad downward beam of light, unlike the original Aplomb, which is characterized by focused illumination. Aplomb is handcrafted by expert Italian cement artisans. The design challenge is to achieve thin thicknesses, light forms, and a textured yet pleasant surface. This result is achieved through meticulous care and a deep understanding of the material, which has led to the discovery of a special, highly fluid blend in the mold during production. Among the available colors, to meet diverse design needs, are white, gray, and brown, obtained by adding pigments directly to the mix. Aplomb Large can be placed on a table, peninsula, or counter, at home or in a public space, and is perfect for use alone or in repeated linear compositions.
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Chouchin is a Japanese word that refers to the traditional and symbolic paper and bamboo lanterns used as illuminated signs outside businesses or as amulets on the exterior of homes. Sober and elegant, Chouchin combines artisanal expertise with a modern and minimalist style. The Chouchin family consists of three models with a colored body in matte glass. Alongside the first version, we find a new version: Chouchin Reverse. The shapes remain the same, but the colors are reversed; the diffuser becomes white while the neck retains the color of the previous version. It's not just a new color, but a new light, a new use. Chouchin Reverse, thanks to its clear blown-glass diffuser, doesn't simply direct light downwards—like the original Chouchin—but also spreads a bright, fluid, and evocative light throughout the surrounding environment.
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A lamp as precious as Murano glass and as irreverent as a rock anthem: Bloom is born as a sparkling and splendid cascade of crystal-effect flowers. Bloom is composed of a tubular polycarbonate frame, completely covered with a structure of small, double-corolla flowers. The result is an industrially produced lamp, yet with the forms and stylistic complexity of a handcrafted, single-piece object. A series of bulbs placed on the internal frame diffuse the light beam through the petals, causing it to refract on the cut surfaces and create a thousand reflections.
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Soho is presented as a statement. It's a tribute to the merits of this lamp, traditionally used in markets, taverns, and cafes. After reflecting on volumes, proportions, and materials, new uses and lighting effects have emerged. The use of rotomolded polyethylene allows for the production of different sizes. While the Soho collection previously offered diameters of 57 cm and 112 cm for large spaces, it is now also available with a smaller, 38 cm shade for more versatile use, as this scale is better suited to smaller spaces. Rotomolded polyethylene shade. Opal methacrylate diffuser. Black lacquered metal frame with cataphoresis anti-corrosion treatment for outdoor use. Available in White, Stone Gray, Black, Sand (Soho 38 version only) and Sky Blue (Soho 38 version only) Available in 3 sizes (112.6cm, 57cm and 38cm)
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The Piola collection seeks to mimic this fluidity of infinite movement, floating around the light, in search of a balance between light diffusion and shadow creation. The spiral shape of the shade breaks the object's monotony, changing with each viewing angle. The central tube conveys symmetry and solidity, contrasting with the volatile and variable shade. Available in four colors, both the structure and the shade are always the same color, so the lamp is perceived as a single object. In this way, by contrast, the light takes center stage. PVC and polyester laminated tape that rotates around a central metal tube lacquered in the same color as the tape. Internal polycarbonate structure that supports the tape.
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