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The ceiling version of the Mercer lamp joins this family of luminaires, distinguished by a subtle reversal of roles: the fabric shade is encased within a transparent, blown-glass structure. The glass delicately protects a cozy pleated raw cotton or a sophisticated pearl-white fabric, while also creating additional reflections. The main purpose of this wall light is to dress a room's ceiling in a light and warm ambiance while providing illumination. It features a fabric shade that appears to float within a transparent, blown-glass structure. An opal diffuser disc sits at the bottom. Finished with raw cotton ribbons and pearl white. Available in a 44cm diameter.
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Mercer is a beautiful and elegant lamp. Its fusion of materials of different natures results in a truly spectacular piece, as its fabric shade appears to float within a transparent, blown-glass structure. The inner diffuser is available in raw cotton ribbons and, in a more modern and minimalist version, in pearl white. A textile shade that appears to float within a transparent, blown-glass structure. An opal diffuser disc is located at the bottom of the 44cm version. Finished with raw cotton ribbons and pearl white ribbons. Available in diameters of 44, 30, and 20cm.
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Soho is presented as a statement. The use of rotomolded polyethylene allows for a large-scale piece. With a diameter of 112 cm, it is designed for large spaces, while the 57 cm and 38 cm versions perfectly illuminate passageways. In the translucent white version, the entire body becomes an ambient light emitter. Rotomolded polyethylene shade. Opal methacrylate diffuser. Available in the following finishes: White, Stone Gray, Black, Sand (Soho 38 version only) Sky Blue (Soho 38 version only). Available in 112, 57 and 38 LED sizes.
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Bright white blown glass shade. Wall-mounted versions include a metal bracket to support the diffuser. Frame: Brushed brass or graphite. Shade finishes: White, Blue, Green, Amber, Pink, and Black. Two different supports have been designed to hold the lampshade: one provides horizontal illumination and the other vertical illumination. The finish of the wall light housing can also be chosen between gold and graphite.
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The fabric of its shade unlocks the light and allows it to filter through, bringing more illumination to the space. The essence of both lamps remains simplicity, but the new design is more striking and classic, more sophisticated. This new collection is available in floor, table, and wall lamp categories, in two colors: beige or white, and always with a black frame. The stem and mounting are made of black lacquered iron. The shade is made of white or sand-colored polyester, composed of two layers of PVC and PET. Available in Black-White and Black-Sand finishes.
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The Ginger collection has expanded to meet diverse lighting needs, offering various versions including pendant, table, wall, and floor lamps, as well as lamps with adjustable arms. A new, smaller pendant size has been added, along with a portable table lamp, a wall lamp with an adjustable arm, and three sizes of elegantly simple wall lights that can be combined with each other. The diffuser is made of 4mm pressed wood in natural oak or wenge. The heat sink is made of die-cast aluminum, and the stem is made of metal with a matte black lacquer finish. Available in Wenge Oak. Available in two sizes.
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As its name suggests, the ARPA collection is inspired by the harp, one of the most beautiful and fascinating musical instruments. Unlike the meticulous work involved in crafting a harp, the design of this collection was based on rigorous reduction, resolving each piece with the fewest possible elements. The ARPA collection combines the stability of the external orthogonal shape with the softness and comfort of the inner cushion cover. Delicate cords lend elegance and refinement to each piece, creating a unique sense of lightness, as if the entire cushion were suspended from the frame. Designed to be timeless, ARPA aims to become an icon, not only for its aesthetic appeal but also for its functionality and comfort.
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As its name suggests, the ARPA collection is inspired by the harp, one of the most beautiful and fascinating musical instruments. Unlike the meticulous work involved in crafting a harp, the design of this collection was based on rigorous reduction, resolving each piece with the fewest possible elements. The ARPA collection combines the stability of the external orthogonal shape with the softness and comfort of the inner cushion cover. Delicate cords lend elegance and refinement to each piece, creating a unique sense of lightness, as if the entire cushion were suspended from the frame. Designed to be timeless, ARPA aims to become an icon, not only for its aesthetic appeal but also for its functionality and comfort.
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As its name suggests, the ARPA collection is inspired by the harp, one of the most beautiful and captivating musical instruments. Unlike the meticulous work involved in crafting a harp, the design of this collection employed a rigorous reduction approach, resolving each piece with the fewest possible elements. The ARPA collection combines the stability of its orthogonal outer form with the softness and comfort of its inner cushion cover. Delicate cords add elegance and refinement to each piece, creating a unique sense of lightness, as if the entire cushion's mass were suspended from the frame. Designed to be timeless, ARPA aims to become an icon, not only for its aesthetic appeal but also for its functionality and comfort.
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The Neil armchair is versatile, vibrant, yet simultaneously an icon of essentiality, perfectly in harmony with the MDF Italia style. These are the main characteristics of the Neil armchair, which now comes in a new version: the Neil Twist Armchair. Its evocative name suggests that the hand-braided rope is the star of the show, with a key detail: the contrasting internal cross-stitch that adds character to the overall look. But the surprises don't end there for the Neil armchair's evolution: it is now available in rope in five different colors, with a base of round steel wire in white, bronze, or black nickel; with or without armrests. In this new version, the Jean Marie Massaud chair is very versatile: it can actually be used both indoors and outdoors, where its neutral or very bright colors will stand out in parks and private gardens, meeting places, hotels and public spaces.
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Cosy arises from the idea of offering great comfort with a reassuring, warm and familiar gesture. Timeless lines, a soft and enveloping design, adaptability and versatile character make Cosy a padded item that offers maximum comfort in a wide range of situations, environments and settings. Collection of modular padded elements with seats of different depths and lengths; backrests of different heights, either aligned or corner compositions; coffee tables and additional cushions. A highly versatile system designed to allow consumers to choose their favorite composition that meets their needs and blends with any environment, atmosphere, style, and flavor.
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Fuji is a small collection of casual seating designed by Francesco Rota. Its large, generous, and inviting volumes and trapezoidal silhouette evoke the conical shape of the Japanese volcano. A wide range of fabrics and colors makes these seats easily adaptable to any setting, whether for casual seating or as accent pieces.
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Armchair and sofa with a strong personality and large cushions, providing considerable comfort and great functionality. Available in two different seat depths and two different backrest heights, ensuring a comfortable sitting position and adaptability to your needs and preferences. Aluminum composite frame with elastic webbing and die-cast aluminum legs. The frame is finished in matte white, stone gray, and anthracite gray. The fabric or leather upholstery covers every part of the sofa and is completely removable.
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Armchair and sofa with a strong personality and large cushions, providing considerable comfort and great functionality. Available in two different seat depths and two different backrest heights, ensuring a comfortable sitting position and adaptability to your needs and preferences. Aluminum composite frame with elastic webbing and die-cast aluminum legs. The frame is finished in matte white, stone gray, and anthracite gray.
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Synthesis, reduction, lightweight. But above all, comfort: these are the principles that Jean Marie Massaud has always followed in his creations. These principles were applied to the Yale sofa and armchair collection, which in 2011 received the prestigious Golden Compass award for its innovative vision of upholstered sofas and armchairs combined with a minimal support structure. The aluminum frame cradles sophisticated cushions filled with cotton or feathers. Offering the opportunity to play with fabrics, finishes, and colors, Yale, with its strong identity, adapts to all types of interiors, both residential and commercial. This elegance, free from any mannerism and focused on the essence of the product, can also be found in Yale X, Yale Bed, and Yale Low Table.
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Synthesis, reduction, lightweight. But above all, comfort: these are the principles that Jean Marie Massaud has always followed in his creations. These principles were transferred to the Yale sofa and armchair collection, which in 2011 received the prestigious Golden Compass award for its innovative vision of upholstered sofas and armchairs combined with a minimal support structure. The aluminum frame cradles sophisticated cushions filled with cotton or feathers. Offering the opportunity to play with fabrics, finishes, and colors, Yale, with its strong identity, adapts to all types of interiors, both residential and commercial. This elegance, purified of any mannerism and focused on the essence of the product, can also be found in Yale X, Yale Bed, and Yale Low Table.
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The fluidity of its movements and its perfect stability make this flexible lamp a light source that can be moved around the table without taking up much space. This articulated lamp incorporates LED technology, allowing you to direct the light beam with precision. Lacquered aluminum structure and diffuser. Switch integrated into the diffuser. Metal base with polycarbonate cap. Available in black and white, and with a range of accessories: base, clamp, table stand, wall mount, and floor stand.
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Its structure is as simple as it is magical: a round surface housing an LED located at its center and a superimposed glass ball that, when moved, constantly produces the effect of an eclipse. By moving the ball, we dim or brighten the light, and this game captivates with its beautiful visual effect. Bolita aims to encourage user interaction. Florian and Sebastian from the kaschkasch studio conceived the idea of a lamp where dimming was done mechanically, not electronically. This technologically innovative design celebrates the sense of touch. Lacquered steel base housing the light source. A slightly magnetized, opal-blown glass diffuser rests on top of the base and moves across the surface. Switch located on the side of the base.
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The assembly of basic geometric shapes and the use of wood alongside metal give this family of luminaires an approachable feel while also possessing a distinctive personality. All movements of the shade, including full rotation, are achieved through joints and arms, and their technical precision means that no visible springs or counterweights are required to maintain the chosen position. La palabra inglesa Scantling hace referencia a las dimensiones de la sección de una varilla de madera, y deriva de una herramienta de medida utilizada antiguamente. La evidencia de su juego constructivo procura a esta lámpara una cierta imagen arquetípica, casi gráfica.Tija y base de hierro lacado. Brazo de roble macizo que sostiene un difusor de aluminio. El interruptor está incorporado en la pantalla.
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The name of the Greek goddess Theia—mother of the sun, moon, and dawn—is given to this lamp because its design primarily aims to express the beauty of light and the fascination we feel for it. Theia has two faces; to discover them, simply rotate it gently on its axis. It can be directed towards the user and function as a reading lamp. Or, it can be directed towards an object or a wall, creating a subtle, indirect light effect that instantly warms the room. This rotation completely changes the perception of the piece, as its metal diffuser is entirely opaque. Base and stem made of lacquered iron. Lacquered aluminum heat sink with integrated switch. Vertical hemisphere made of lacquered cast iron, with a white interior, and a transparent, smoked, thermoformed methacrylate shade.
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Vetra might seem like just a traditional, hand-blown glass lamp, but when you turn it on, it holds a surprise. Joan Gaspar uses a closed glass diffuser as a reflector, with the unique feature of placing the light source outside the shade instead of inside. It emits more light than expected without being dazzling: a large portion of it is directed downwards, and the rest filters into the shade, subtly illuminating it. As if there were an echo and the light were multiplying, when lit it reveals its entire outline, seemingly alive. This collection has been designed for table, pendant, and floor lamps in various diameters – 20, 32, and 43 cm. In the table and floor lamp versions, the stem is divided into two unequal parts, a detail that disrupts its balance, adding beauty and elegantly resolving the cable exit. Frosted blown glass shade with lacquered aluminum heat sink. Lacquered iron base and stem. 3-position sensor dimmer.
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The Bohemia is a unique lamp. Joan Gaspar designed a large, highly efficient pendant lamp that closely resembles glass. A difficult challenge that the designer overcomes by using polycarbonate as the material. This lamp boasts an organic, anything but boring, translucent profile that integrates two volumes into a single form. The result is a large shade available in various colors that don't clash with the interior—always white—providing impeccable lighting, free from chromatic contamination. When lit, it casts white light downwards while simultaneously emitting nuances and shadows on the screen that enrich its form. The Bohemia is bright, striking, with exceptional light, and aims to surprise the viewer. Translucent, two-layer, rotomolded polycarbonate screen, always with a white interior. Opal methacrylate diffuser in the LED version.
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The story of the Dipping Light has only just begun. Marset wasn't content with just the two table lamp sizes it has offered until now: its most poetic lamp is expanding its uses and is now available as a portable, standalone lamp, a pendant lamp, a wall lamp, and in a new table lamp size – ø20 cm – somewhere between small and large. The colors remain the same, but the range of styles has been expanded. The new Dipping Light pendant light is stripped down to its essentials, making color the absolute star. That's why creating a composition with several of them results in a captivating visual effect. This new model is available in three different sizes: 12.5, 20, and 30 centimeters in diameter. Bright white blown glass shade with multiple layers of paint. A polycarbonate trim on top completes the spherical shape.
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Moving the light source—this is the idea behind Jaume Ramírez's new design. Milana is a system of modular pendant lamps that can be combined and moved both vertically and horizontally.
Paradoxically, this new design begins with the deconstruction of the lamp archetype: by simplifying it to its bare essentials, it is left with only a suspended cylindrical body with an integrated LED. This cylinder can be fitted with various conical shades in pearl white, black, beige, gray, and red, and in several sizes. But the most ingenious feature is that each of these lamps can be fitted with a simple counterweight, allowing it to be moved when hung between two points. The tubular structure and shade are made of lacquered aluminum with a translucent polycarbonate diffuser. A rope with a counterweight allows the lamp to be moved around the space. -
The name MVV comes from the initials of his name, a way of reclaiming his authorship. This was the wish of his grandson—also an architect—and the collaborators at his studio, Two-bo. Pablo, María, and Alberto have revived this lamp 45 years later. Marset acts as a hinge in time, taking the original design—an octagon with overlapping slats—and updating it by giving it a double skin: cherry wood on the outside of the slats, and white on the inside to optimize the quality of the light. The original dimensions – 45 cm – are respected, and the internal structure, originally made of iron, is now also made of polycarbonate to make it lighter. Using wood as a material, the MVV achieves exceptionally warm lighting. A steel and glossy black polycarbonate structure supports eight PET panels with a cherry wood exterior and a white interior. A transparent methacrylate diffuser sits atop the panel.
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Vetra might seem like just a traditional blown-glass lamp, but when you turn it on, it holds a surprise. It emits more light than expected without being dazzling: much of it is directed downwards, while the rest filters into the shade, subtly illuminating it. A new color, amber, joins the entire collection to further enhance its relationship with light. A play of contrasts in which the lamp itself becomes more visible and its light, enveloped in color, warmer. Matte blown-glass shade with a lacquered aluminum heat sink.
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Atlas transforms the ordinary light bulb into a spotlight by encasing it in a sheath that follows its contours. Taking its bareness as a starting point, he dresses it in a transparent garment that also has the virtue of giving it a sense of lightness. Fabricado en policarbonato transparente y una base de poliamida, Atlas también puede instalarse en un carril o en grupos de 2 y 3 unidades. Transparent polycarbonate diffuser that surrounds the bulb. White polyamide ceiling rose.
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The original dimensions – 45 cm – are respected, and the internal structure, originally made of iron, is now also made of polycarbonate to make it lighter. Using wood as a material, the MVV achieves exceptionally warm lighting. A steel and glossy black polycarbonate structure supports eight PET panels with a cherry wood exterior and a white interior. A transparent methacrylate diffuser sits atop the panel. 35 injected ABS discs. Chrome dial.
Finishes: White (RAL 9003), Matte Gray (RAL 7037), Matte Beige (RAL 1001), Black-Gold (RAL 9004-Gold). Available in 5 sizes (diameters of 35, 53, 68, 88, and 132 cm). Also available in a pressed oak finish, only in a 68 cm diameter, with a black chrome dial. -
Like the echo of a drum, the Djembé collection is designed to be repeated, creating compositions of light. Formally, it's a half-bell shape that reveals its interior, available in various sizes and colors. When combined, these pieces achieve a striking decorative effect, even when switched off. Alternatively, it can be used individually, illuminating the space with a bold presence. Using the rotomolding technique, Joan Gaspar achieves a striking contrast between the exterior and interior of the screen: On the outside, it evokes the texture of stone, creating a sense of weight emphasized by its substantial volume. Inside, the hollow interior reveals a smooth, white space that allows light to reflect. Rotomolded, bi-injected polyethylene shade with a natural stone texture on the exterior and a satin white interior. Gray lacquered aluminum diffuser. Available in White (RAL 1013), Gray (RAL 7022), Red (RAL 3011), and Sky Blue.
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The Ginger collection has expanded over time to meet diverse lighting needs, offering various versions including pendant, table, wall, and floor lamps, as well as movable arm versions. A new, smaller pendant size, a portable table lamp, a wall lamp with a movable arm, and three sizes of elegantly simple wall lights that can be combined have been added. 4mm pressed wood diffuser in natural oak or wenge. Die-cast aluminum heat sink and matte black lacquer finish.
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Hazy Day is the result of a meticulous study of light and its diffusion, inspired by that time of day when the sun has not yet risen and the light from the sky is filtered through the mist. As a pendant lamp, the glass globe features a gradient that transitions from the matte finish of the sandblasted glass to a brilliant transparency in the slight curve that crowns the shade. It is available in two diameters: 44 cm and 32 cm. The transparent, blown glass globe has a sandblasted gradient that fades to transparency. The lower part of the glass ends in a transparent curve that reveals the bulb. It has matte white metal brackets.
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Maranga is the name of an invented fruit: exquisite, enticing, succulent. It reinterprets Scandinavian style in terms of the essentiality of form and the rational use of lighting to create a warm and comfortable atmosphere. The screen is made up of 32 segmented pieces that overlap, allowing slivers of light to escape. This interplay of light and shadow creates a rich, nuanced effect and prevents glare, while the lower opening, fitted with a diffuser, emits direct downward light. The screen is composed of 32 polycarbonate pieces joined together to a chromed metal top. At the bottom, there is a transparent polycarbonate diffuser with a prismatic engraving.
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The Piola collection seeks to mimic this fluidity of infinite movement, floating around the light, in search of a balance between light diffusion and shadow creation. The spiral shape of the shade breaks the object's monotony, changing with each viewing angle. The central tube conveys symmetry and solidity, contrasting with the volatile and variable shade. Available in four colors, both the structure and the shade are always the same color, so the lamp is perceived as a single object. In this way, by contrast, the light takes center stage. PVC and polyester laminated tape that rotates around a central metal tube lacquered in the same color as the tape. Internal polycarbonate structure that supports the tape.
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The Pleat Box concept stems from a formal interplay in which the drape of a textile pleat is digitally designed and then applied to the ceramic material. The lamp's exterior is available in white, black, terracotta, and gray ceramic—the result of recycling different glazes. The interior is finished in either glossy white glaze, which emits shimmering reflections that enhance the lamp's light, or 24k gold, generating an exceptionally warm glow. The Pleat Box collection is also available with integrated LED technology, providing indirect lighting that eliminates glare. Ceramic lampshade with a white or gold glazed interior. Ceramic ceiling rose.
Available in White-White, White-Gold, Gray-White, Gray-Gold, Terracotta-White, Terracotta-Gold, Black-White, Black-Gold, Brown-White, and Brown-Gold. -
Soho is presented as a statement. It's a tribute to the merits of this lamp, traditionally used in markets, taverns, and cafes. After reflecting on volumes, proportions, and materials, new uses and lighting effects have emerged. The use of rotomolded polyethylene allows for the production of different sizes. While the Soho collection previously offered diameters of 57 cm and 112 cm for large spaces, it is now also available with a smaller, 38 cm shade for more versatile use, as this scale is better suited to smaller spaces. Rotomolded polyethylene shade. Opal methacrylate diffuser. Black lacquered metal frame with cataphoresis anti-corrosion treatment for outdoor use. Available in White, Stone Gray, Black, Sand (Soho 38 version only) and Sky Blue (Soho 38 version only) Available in 3 sizes (112.6cm, 57cm and 38cm)
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The Funiculí is one of Marset's most iconic lamps. It's also functional, offering both direct and indirect light. The fabric of its shade diffuses the light, allowing it to filter through and enhance the overall illumination of the space. While the essence of both lamps remains simplicity, the new design is more striking, classic, and sophisticated. This new collection is available as a floor lamp, table lamp, and wall lamp, in beige or white, with a black frame. Base and stem in black lacquered iron. White or sand-colored shade made of two sheets of PVC and PET. Black rubber surrounds the base. Available in Black-White and Black-Sand. Also available with a different shade design and finishes in Moss Gray (RAL 7003), Off-White (RAL 9001), Black (RAL 9005), Red (RAL 3024), and Blue (RAL 5024).
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