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Table, floor, and pendant lamp with diffused and direct light. Conical diffuser and tube in thermoplastic elastomer; injection-molded cone and extruded tube. Conical inner diffuser in opal polycarbonate, translucent polycarbonate shield. The fixture is supplied with an IP44 outdoor terminal; the packaging includes a plug for adapting it for indoor use and instructions for shortening the tube. The on/off switch is located inside the tube at the junction with the diffuser cone.
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The Tuareg structure draws inspiration from human-made architecture, yet is connected to the natural world, using materials like branches and reeds, according to an instinctive and dynamic creative logic. Chaos transforms into order, creating an unconventional geometry reminiscent of land art. Independently controlled LED light sources are integrated at the end, adjustable 350° to change the lighting effect and the lamp's functionality. The structure is further refined by integrated touch-sensitive switches and a cable management system concealed within the tubular elements. The electronic transformer is located in the plug. The lamp can be operated via a wall switch.
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Floor lamp with direct and indirect light. Diffuser and stem made of various materials on a liquid-painted fiberglass base. Four counterweights are included as standard; these are inserted into the corresponding housing above the diffuser to adjust the height. Additional rods are available to extend the arc. The transparent cable has a dimmer switch that functions as both a gradual light intensity regulator and an on/off switch.
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The allure of a woman's braid is the original inspiration for the Tress lamp family. A design idea brought to life by foscarini through the development of a completely original technological process, in which a ribbon of fiberglass and resin, interwoven with an orderly randomness, becomes both the structure and decoration of the lamp. Tress changes personality according to the color: light and discreet in the white version, strong and decisive in the black version, volcanic and totemic in the red version, where the contrast between interior and exterior is even more striking. In the floor-standing version, the frame incorporates the same power cable and simultaneously serves as structure, decoration, and shield, creating an unprecedented interplay of solids and voids, light and shadow. The light that diffuses through the lamp produces a particularly captivating effect thanks to two separate light sources: one in the lower position fully illuminates the interior and highlights the graphic presence of the frame, while the upper one reflects light onto the ceiling. In the medium version, with a single light source at the base within the diffuser, the dimmer on the transparent cable functions as both a gradual light intensity regulator and an on/off switch.
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Chouchin is a Japanese word that refers to the traditional and symbolic paper and bamboo lanterns used as illuminated signs outside businesses or as amulets on the exterior of homes. Sober and elegant, Chouchin combines artisanal expertise with a modern and minimalist style. The Chouchin family consists of three models with a colored body in matte glass. Alongside the first version, we find a new version: Chouchin Reverse. The shapes remain the same, but the colors are reversed; the diffuser becomes white while the neck retains the color of the previous version. It's not just a new color, but a new light, a new use. Chouchin Reverse, thanks to its clear blown-glass diffuser, doesn't simply direct light downwards—like the original Chouchin—but also spreads a bright, fluid, and evocative light throughout the surrounding environment.
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Aplomb Large is a new cement lamp with a distinct shape and functionality compared to the original version. In addition to being wider, Aplomb Large features an integrated LED light source, recessed into the lamp body, which provides a broad downward beam of light, unlike the original Aplomb, which is characterized by focused illumination. Aplomb is handcrafted by expert Italian cement artisans. The design challenge is to achieve thin thicknesses, light forms, and a textured yet pleasant surface. This result is achieved through meticulous care and a deep understanding of the material, which has led to the discovery of a special, highly fluid blend in the mold during production. Among the available colors, to meet diverse design needs, are white, gray, and brown, obtained by adding pigments directly to the mix. Aplomb Large can be placed on a table, peninsula, or counter, at home or in a public space, and is perfect for use alone or in repeated linear compositions.
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Chouchin is a Japanese word that refers to the traditional and symbolic paper and bamboo lanterns used as illuminated signs outside businesses or as amulets on the exterior of homes. Sober and elegant, Chouchin combines artisanal expertise with a modern and minimalist style. The Chouchin family consists of three models with a colored body in matte glass. Alongside the first version, we find a new version: Chouchin Reverse. The shapes remain the same, but the colors are reversed; the diffuser becomes white while the neck retains the color of the previous version. It's not just a new color, but a new light, a new use. Chouchin Reverse, thanks to its clear blown-glass diffuser, doesn't simply direct light downwards—like the original Chouchin—but also spreads a bright, fluid, and evocative light throughout the surrounding environment.
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Suspension lamp with diffused and direct light. The diffuser, made of various materials with a fiberglass base, is manufactured by tape molding on a mold with automatic step/design control and is liquid-painted. The allure of a woman's braid is the original inspiration for the Tress lamp family. A design idea brought to life by foscarini through the development of a completely original technological process, in which a ribbon of fiberglass and resin, woven with an orderly randomness, becomes both the structure and decoration of the lamp. Tress changes personality according to the color: light and discreet in the white version, strong and decisive in the black version, volcanic and totemic in the crimson red version, where the contrast between interior and exterior is even more evident, striking in indigo blue, and supremely contemporary in ecru, a shade between gray and beige. The pendant version—available in medium, small, and mini sizes—is designed to illuminate a specific area in the space below; the large Tress pendant, on the other hand, is characterized by a more diffused light. The various sizes can be used individually to highlight a dark corner or a room's space, or in compositions or rows to create perspective effects.
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One, two, three light lanterns, yet brimming with seductive tang. Three distinct yet complementary forms, a balance between East and West. A family of lamps that brings a soothing light to diverse settings, translating the magic of rice paper or mulberry bark—the raw materials of Japanese lamps—into the exquisite appearance of blown and satin-finished glass. The horizontal lines etched onto the surface of the lamps create a soft and captivating aesthetic while simultaneously filtering the intensity of the light source, diffusing a full, warm, and gentle glow into the room. With their hand-blown glass bodies and pleasingly plaster-like appearance, the Rituals pendant lamps can be used individually or in harmonious arrangements of 3 to 9 lamps, thanks to the use of a multi-canopy.
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Diffused light pendant lamp. Mouth-blown, jacketed glass diffuser, white on the inside and colored on the outside with a glossy finish. With a "straw" interior, the "warm white" version appears ivory when lit and remains white when off. During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is being revamped once again, interpreting contemporary tastes to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted with five layers of artisanal technique, immediately apparent thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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A collection of pendant lamps in two distinct forms. The pendant lamp draws inspiration from the evocative style of antique oriental lanterns and the more domesticated birdcages. Its design originates from the observation of bicycle wheel spokes, from which the project also takes its name: Spokes. The result is a softly shaped lamp with a light volume that contains the light, allowing it to filter into the space. The lightness that characterizes the design is combined with the solidity of its form, crafted from metal rods, and the functionality of the LED light source, which perfectly illuminates the area and creates plays of light and shadow projected onto the walls with a magical, multiplying effect. The design, available in two shapes, two sizes, and two distinct color variations, highlights its versatility, making Spokes a lamp particularly suitable for both residential and public spaces. It can even be perfectly placed in large architectural structures, thanks to the possibility of creating multiple compositions.
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Chouchin is a Japanese word that refers to the traditional and symbolic paper and bamboo lanterns used as illuminated signs outside businesses or as amulets on the exterior of homes. Sober and elegant, Chouchin combines artisanal expertise with a modern and minimalist style. The Chouchin family consists of three models with a colored body in matte glass. Alongside the first version, we find a new version: Chouchin Reverse. The shapes remain the same, but the colors are reversed; the diffuser becomes white while the neck retains the color of the previous version. It's not just a new color, but a new light, a new use. Chouchin Reverse, thanks to its clear blown-glass diffuser, doesn't simply direct light downwards—like the original Chouchin—but also spreads a bright, fluid, and evocative light throughout the surrounding environment.
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Plass, whose name is a synthesis of "plastic" and "glass," interprets the age-old artisanal tradition of glassmaking through the lens of a contemporary material and process: rotationally molded transparent polycarbonate. Thanks to this technology, not yet widely used in the lighting sector, the finishes are not impersonal and cold; on the contrary, they are characterized by subtle irregularities, highlighted by the light source, as in handcrafted glass. The colors chosen for the diffuser, blue-green and gray, are inspired by Murano glass and Venetian craftsmanship. In addition to evoking an atmosphere and emotion, the color contributes to defining the lamp's form, highlighting the depth of the incisions on its surfaces. Suspended between memory and the present, Plass lends itself to defining large spaces, even those with significant verticality, whether used alone or in multiple compositions.
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Table lamp with diffused light. The diffuser is made of five layers of mouth-blown, glossy, jacketed glass. The inner layer of glass, in a pale yellow "straw" hue, creates a warmer light and a more intense color. The "warm white" version is ivory when on and remains white when off. During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is renewed once again, interpreting contemporary taste to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted by hand in five layers, immediately noticeable thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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Table and accent lamp with diffused light. Born from natural inspiration and in-depth research, Gregg's form evokes a large bowl smoothed by water, or the egg of a mythological creature, a symbol of creation and regeneration. A pure and familiar volume, easily recognizable, yet surprising, because Gregg's asymmetrical shape changes its appearance depending on the viewer's perspective. This innovative approach to a traditional material like glass thus becomes a tool in the designer's hands to give a space an original character. Available in three different sizes for pendant, table, ceiling, and wall mounting, the Gregg collection is undoubtedly among the most versatile and adaptable, fitting seamlessly into any setting.
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Table lamp with diffused light. The diffuser is made of five layers of mouth-blown, glossy, jacketed glass. The inner layer of glass, in a pale yellow "straw" hue, creates a warmer light and a more intense color. The "warm white" version is ivory when on and remains white when off. During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is renewed once again, interpreting contemporary taste to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted by hand in five layers, immediately noticeable thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is renewed once again, interpreting contemporary taste to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted by hand in five layers, immediately noticeable thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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A fluid vibration across the glass. The Gem table lamp is an object that seduces, declaring at first glance the preciousness of the material and the wisdom of its artisanal craftsmanship. Unmistakable even when switched off, it has a satin-gold pedestal that highlights the mouth-blown glass, allowing it to take center stage.
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Magneto is an essential lamp that possesses an invisible power: the magnetic field of a magnet. The core of the design is a spherical magnet that unites two simple elements: a support stem with a circular base and a compact LED light source, similar to a flashlight or microphone, offering exceptional versatility in terms of angle and movement along the stem. Magneto combines the flexibility of a lamp that adapts to countless situations with absolute formal and functional rigor. The intense, concentrated, and focused light can be directed downwards onto a small area, such as a book, magazine, or computer keyboard, or upwards to create a suggestive atmosphere. This allows it to meet a wide range of needs, from reading to diffused lighting. Magneto is available in two sizes, table or floor lamp, and in two colors, black and white, to characterize diverse spaces and moments: from the office to the living room, from the daytime area to the nighttime area. Always with a special personality, strong and refined, attractive and seductive, in a word: magnetic.
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A family of lamps with a relaxing light for a wide variety of settings, interpreting the magic of rice paper or mulberry bark—the raw materials of Japanese lamps—in the exquisite form of blown and satin-finished glass. The horizontal lines that intersect the surface of the lamps create a soft and captivating yet modern aesthetic, while also filtering the intensity of the light source, diffusing a full, warm, and gentle light throughout the room. This model is part of the Mix & Match system, perfect both as a standalone decorative element to add character to a room and in multiple configurations to harmonize with the entire ambiance. The Rituals 1 Tavolo Alta structure is available in three matte finishes. You can choose between a soft, rich, and deep gold tone, a cooler and more sophisticated graphite tone, or, once again, white, if you prefer a neutral tone that blends seamlessly into any environment.
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One, two, three light lanterns, yet brimming with a seductive tang. Three distinct yet complementary forms, a balance between East and West. A family of lamps that bring a soothing luminosity to diverse settings, translating the magic of rice paper or mulberry bark—the raw materials of Japanese lamps—into the exquisite appearance of blown and satin-finished glass. The horizontal lines etched onto the lamps' surfaces create a soft and captivating decoration while simultaneously filtering the intensity of the light source, diffusing a full, warm, and gentle glow into the room. The blown-glass body, with its pleasingly plaster-like appearance, is suspended from a base formed by three metal legs: a distinctive element that makes the lamp seem to float. They are perfect used alone or in a harmonious composition of forms; on a bedside table, a console, a table or even on the floor: for an area dedicated to relaxation or as meditation lamps, wisely illuminating both the space in which we live and our inner world.
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From the collaboration between Italian designer Luca Nichetto and the multidisciplinary team Nendo, founded by Japanese architect Oki Sato, comes a new project with a light, poetic, and handcrafted style: the Kurage table lamp. Kurage means jellyfish in Japanese, and indeed, this lamp resembles a marine creature that dances lightly, swaying in a soft light achieved through the use of high-quality Japanese washi paper. The diffuser rests simply on a transparent structure designed specifically to ensure the absence of shadows. Kurage is made using a unique three-dimensional technique for hand-crafted washi paper. Using mulberry tree fibers, a smooth yet porous paper is obtained that filters the light, creating a relaxed, warm, and captivating atmosphere, capable of seducing both the intellect and the heart. The project is completed by four slender legs in natural ash wood, a white ceramic lamp holder, and an electrical cable covered with a paper fiber sheath.
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Filo was born from the desire to highlight the different parts that make up a lamp—light source, decoration, and electrical cable—by articulating their structural and aesthetic characteristics, simplifying grammar and syntax. Its essentiality stems from the decision to use decoration to unify the elements, incorporating features not traditionally included. Now, the electrical cable engages in a dialogue with the glass elements and the light diffuser in a rhythmic interplay of roles. While the energy that allows the lamp to perform its illuminating function runs along the cable, the cable also passes through glass spheres and balls, transforming it into the archetype of a necklace, with a cone-shaped porcelain body that projects light onto the cable and the glass spheres, ideally positioned as its pendant. A generous array of colors animates the lamp with multiple identities, from watercolor tones and Murano glass transparencies, to the bright polychromes with an ethnic flavor, to the fluorescent tones of contemporary urban landscapes, allowing it to integrate into the most varied environments.
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Rituals lamps speak the language of beauty and poetry. They feature mouth-blown glass enriched with fine incisions, reminiscent of the polishing process, the result of masterful craftsmanship. Rituals XL stands out for its generous dimensions and its full, warm, and soft light. Part of the Mix&Match system, Rituals XL Tavolo is available in three colors and can be flexibly combined to define and harmonize the lighting of different spaces. A family of lamps with a relaxing light for very diverse environments that interprets the magic of rice paper or mulberry bark, raw material of Japanese lamps, in the precious corporeality of blown and satin glass.
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Rich, brilliant, and sophisticated, the Caboche lamp is a mosaic of refractions, a perfect fusion of diverse individual elements into a single form that together create the lamp's body and luminous effect. When lit, the light radiates from within the spheres as if from luminous crystals, illuminating the surrounding space. The Caboche ceiling lamp is a jewel of creativity and technology, available in two versions: transparent and golden yellow. Suitable for both private and public spaces, it commands attention and combines visual impact with lightness, decorative value, and functionality.
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Rituals is a meeting point between East and West, memory and contemporary design, poetic inspiration and technological research. A family of distinct yet complementary forms translates the luminous magic of oriental rice paper lanterns into the exquisite appearance of blown glass. The unique glasswork, with its irregular lines that indent the surface, is achieved through the industrialization of the traditional polishing process. The result is a soft and captivating decoration that creates an inimitable chiaroscuro effect and a soft, diffused light. The strength of this design concept has allowed for the development of new sizes and variations. These are not mere adaptations, but genuine explorations of further possibilities for this project. The ceiling version, available in three different shapes and sizes, also showcases the diffuser in its entirety thanks to a discreet structure—a pure and simple circular form that allows the glass to take center stage.
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Ceiling lamp with a direct and indirect light arm. Foscarini and Marc Sadler's passion for researching new technologies has given life to Twiggy, the iconic arched post lamp that is now available in an entire collection of lamps made of composite material on an enamelled fiberglass base. In its ceiling version, it represents the ultimate expression of flexibility: rotating 360°, it offers the ideal solution for shifting the light source off-center. The diffuser ensures direct illumination in the lower area, while the transparency of the upper protective disc diffuses a warm, ambient light. Available in two colors, it harmonizes with any setting and style.
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Bahía is a wall and ceiling lamp that seduces and attracts, thanks to its unique design and the unprecedented interplay of light and shadow it creates. Its charm arises from the superimposition of three plates, imperceptibly asymmetrical in profile and in their relative arrangement. The first two house the light source, accompanying and embracing the light that flows across their concave surface, fading towards the edges. The third element completes the composition, standing out in bold and contrasting silhouette against the light. Each glimmer emanating from Bahía is contained within a broader, more diffused glow, a magical composition of light and shadow that makes it both an illuminating object and a luminous decoration. Bahía is offered in a single, absolute color, white, to highlight its essential, almost theatrical presence, its very being without appearing. Bahía can single-handedly decorate an entire wall, with its minimal thickness, or create multiple compositions, luminous archipelagos in domestic or public spaces.
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The Big Bang ceiling light is formed by overlapping layers of methacrylate that create a dynamic composition around the central luminous core, from which light emanates in all directions. Big Bang, a luminous body with a strong sense of space, highlighted by a play of light and shadow, is ideal for personalizing environments of various styles. It is available in white or red and offers diffused, reflected illumination on the ceiling.
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A varying number of white-finished arms, slender as the branches of an inverted tree, support small diffusers in white, gray, orange, or amaranth: an elegant and poetic composition with a touch of pleasing personalization. The choice between different versions, with one, three, six, or nine arms, allows you to move from the simplest model to those increasingly laden with lights, which multiply like flames, creating the spectacle of a modern chandelier. Made with resistant and lightweight materials, Birdie takes on different personalities depending on the color chosen: discreet and almost invisible in the white version, protagonist and capable of characterizing an entire environment in the amaranth, orange or gray versions, always completely monochromatic, from the shade to the base, for a decisive and uncompromising characterization.
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Bahia, a name that evokes white sand beaches, sunny landscapes, and the elegance of Bossa Nova, offers an attractive, captivating light with a unique design and an innovative interplay of light and shadow. Its seductive and timeless form recalls an aerial view of an archipelago, radiating its nuances to define concentric zones. The natural evolution of Bahia is now available in LED. Foscarini has developed and contributed its design engineering to the LEDs in this model, enhancing the magic of the light. The mini version features a larger disc. The Bahia mini offers great potential for both residential and contract use, especially in the energy-efficient, low-maintenance LED version.
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Rituals is a meeting point between East and West, memory and contemporary design, poetic inspiration and technological research. A family of distinct yet complementary forms translates the luminous magic of oriental rice paper lanterns into the exquisite appearance of blown glass. The unique glasswork, with its irregular lines that strike the surface, is achieved through the industrialization of the traditional polishing process. The result is a soft and captivating decoration that creates an inimitable sense of chiaroscuro and a gentle, diffused light. The strength of this design concept has allowed for the development of new sizes and variations. We're not talking about simple adaptations, but rather genuine explorations of further possibilities for this project. The ceiling version, available in three different shapes and sizes, also showcases the diffuser in its entirety thanks to a discreet structure—a pure and simple circular form that lets the glass take center stage.
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New, essential, and unprecedented geometries, crafted with artisanal skill by master glassmakers, define the ceiling versions of Lumiere XXL and Lumiere XXS, capable of imbuing any space with their inherent dynamism. This movement is created by the bold lines and the orientation of the diffuser's upper surface, set at an angle to the support platform, thanks to a cut that sections the glass in a surprising and original way. By using the two sizes in multiples or simply by orienting the glass differently, it is possible to create a play of balanced and vibrant compositions.
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A wall or ceiling lamp with diffused light. Born from natural inspiration and in-depth research, Gregg's form evokes a large bowl smoothed by water, or the egg of a mythological creature, a symbol of creation and regeneration. A pure and familiar volume, easily recognizable, yet surprising, because Gregg's asymmetrical shape changes its appearance depending on the viewer's perspective. This innovative approach to a traditional material like glass thus becomes a tool in the designer's hands to give a space an original character. Available in three different sizes for pendant, table, ceiling, and wall versions, the Gregg collection is undoubtedly among the most versatile and adaptable, fitting seamlessly into any setting.
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Rituals is a meeting point between East and West, memory and contemporary design, poetic inspiration and technological research. A family of distinct yet complementary forms translates the luminous magic of oriental rice paper lanterns into the exquisite appearance of blown glass. The unique glasswork, with its irregular lines that indent the surface, is achieved through the industrialization of the traditional polishing process. The result is a soft and captivating decoration that creates an inimitable chiaroscuro effect and a soft, diffused light. The strength of this design concept has allowed for the development of new sizes and variations. These are not mere adaptations, but genuine explorations of further possibilities for this project. The ceiling version, available in three different shapes and sizes, also showcases the diffuser in its entirety thanks to a discreet structure—a pure and simple circular form that allows the glass to take center stage.
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Designed by Foscarini's founders during the company's early years, Folio is a tribute to the simplicity of small gestures that transform a lighting design into a decorative piece. It is a lamp reminiscent of a taut sheet of paper, with two corners gently folded towards the wall or ceiling, a movement barely suggested but sufficient to add volume to the two-dimensional form of the leaf. Two small screws attach the blown-glass diffuser to the metal support, two points that become a delicate decorative element. Folio's light source is housed within the metal support and diffuses a warm, intense light through its satin shade.
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