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Allegro is a family of pendant lamps that take shape thanks to gravity, crafted with metallic lines that trace the light and emit sounds when touched. The collection's name is inspired by this "musicality." Three versions are available, depending on the finish of the metal elements, to express three distinct styles: Allegro Ritmico in graphite, Allegro Vivace in copper, and Allegro Assai in gold. Their large size makes them ideal for highlighting spacious areas, both public and private, guaranteeing diffused, direct downward lighting that also reflects off the ceiling.
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Behive, inspired by the rounded shape of a beehive, is formed by a series of rings of varying diameters that define a luminous volume, traversed by soft lines. It is also a pendant lamp. A diffuser shield inside conceals the technical components and allows the light source to shine downwards, radiating Behive's characteristic warm and soft glow. The lamp's white light thus takes on a dual purpose: from the outside, it highlights the graphic design of the rings, while from above it focuses the illumination on a specific area. Designed to attract attention both when lit and unlit, as an unmistakable visual statement in diverse settings, the Behive pendant lamp enriches spaces with its decorative value and its distinctive light.
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Allegro is a family of pendant lamps that take shape thanks to gravity, crafted with metallic lines that trace the light and emit sounds when touched. The collection's name is inspired by this "musicality." Three versions are available, depending on the finish of the metal elements, to express three distinct styles: Allegro Ritmico in graphite, Allegro Vivace in copper, and Allegro Assai in gold. Their large size makes them ideal for highlighting spacious areas, both public and private, guaranteeing diffused, direct downward lighting that also reflects off the ceiling.
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This new family of pendant lamps takes its name from the traditional Japanese paper and bamboo lanterns, used as magnificent, luminous signs outside businesses or as amulets outside homes. Their traditional form has inspired a creation in a purely contemporary spirit, crafted from an ancient material: blown glass. This glass is painted to be completely opaque to light from the inside and brilliant from the outside, except for the bottom edge. The result is a warm, rich, and beautiful color, with a luminous neck from which an intense, direct beam of light is projected downwards. The family consists of three models, in which color is an integral part of the form: orange for the large version, gray for the small, and green for the elongated one. These shapes and tones accentuate the individuality of each model, while also allowing them to be coordinated in multiple compositions.
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What is O-Space? A luminous and sensual spaceship, a treasure chest containing an invisible light, a form that can adapt to any decorating style and lifestyle? The value of this pendant lamp lies precisely in its universal symbolism, a vessel that each person can fill with their own meanings: like the vowel of a new alphabet. Indeed, the graphic symbol of O-Space is represented by a flattened sphere, cut on two sides. This soft yet geometric form, highly original and distinctive, allows the light to be both reflected inwards and directed downwards. The polyurethane dome protects against glare and conceals the power cables, creating a completely uncluttered interior.
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Pendant lamps with diffused light. One, two, three light lanterns, yet brimming with seductive tang. Three distinct yet complementary forms, a balance between East and West. A family of lamps that brings a relaxing luminosity to diverse environments, translating the magic of rice paper or mulberry bark—the raw material of Japanese lamps—into the exquisite appearance of blown and satin-finished glass. The horizontal lines etched onto the surface of the lamps create a soft and captivating aesthetic while simultaneously filtering the intensity of the light source, diffusing a full, warm, and gentle glow into the room. With their hand-blown glass bodies and pleasingly plaster-like appearance, the Rituals pendant lamps can be used individually or in harmonious arrangements of 3 to 9 lamps, thanks to the use of a multi-canopy.
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Aplomb is a small cement pendant lamp that creates direct, focused lighting on the lower level. Exposed cement is part of the expressive language of modern architecture, and Foscarini, with Aplomb, uses this material with a completely original spirit and technology. The lamp displays a light, elegant, and formally simple character that softens the solidity of the cement, highlighting its material aspect, which is both pure and refined. Its small size allows it to be used alone, for example, on a small table, in rows to illuminate a level, or in compositions of varying heights. The GU10 version is available in six colors, with pigments added directly to the cement mixture, each enhancing the lamp's personality in a distinct way: natural gray emphasizes the materiality, brown adds a warm and intense note, while white highlights its elegance. Dark red, sand yellow, and olive green are the colors that complement the shades already available in the catalog.
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Plena features dual lighting: reflected towards the floor and diffused towards the ceiling. It's a light of special charm and interest, capable of fully illuminating a room while remaining soft and enveloping. When placed on a table, Plena never dazzles. These two elements complement each other, with a design feature that has almost poetic intentions: the moon-shaped disc transforms into a feather, thanks to the arched line that conveys a sense of lightness and flight. Plena is suitable for both domestic and commercial spaces. Its appearance changes depending on the perspective from which it is viewed: it is a lamp that works well on its own, on a table, but also when displayed together in large spaces such as an entrance hall or large commercial areas.
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Wall and ceiling lamp with reflected and diffused light. Composed of two oval plates in white matte polycarbonate, injection-molded and mounted asymmetrically. The larger plate serves as the wall bracket, while the central plate conceals the lighting unit.
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A soft, blown-glass volume appears to be secured by a satin-finished metal button, a signature element of the Circus collection, positioned precisely at the central opening. The name itself evokes its circular profile, a timeless shape that has been part of the collection since 1994. Available as a wall or ceiling lamp, Circus furnishes spaces with its simple and balanced structure, accentuated by the intense glow filtering through the white diffuser. The glossy surface enhances its essential form with a play of elegant reflections. It is available in two sizes.
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A task lamp with a strong personality. Beep projects a light that reflects off the wall and ceiling. Its 360° rotation on the base allows you to adjust the direction and intensity of the light to your liking; the shade appears suspended, and the lamp body seems to detach itself from the light. Beep rests on the wall with the lightness of a butterfly. Direct as a beam but indirect as a source, its light is enveloping and never dazzling. Beep's strength lies in its exceptional luminous and visual comfort. The light emanating from the body is diffused by reflection onto the wall. A small hole, positioned slightly off-center on the disc, creates dynamism and depth in the plate that protects the light. "A lamp capable of engaging in a dialogue with its surroundings. Beep is not just an object that illuminates; by utilizing the wall, ceiling, and floor, it brings to life unique and asymmetrical lighting situations." Ludovica and Roberto Palomba
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The Big Bang wall light is formed by overlapping layers of methacrylate, creating a dynamic composition around the central luminous core, from which light emanates in all directions. Big Bang, a luminous body with a strong sense of space, highlighted by a play of light and shadow, is ideal for personalizing environments of various styles. It is available in white or red and offers diffused, reflected illumination on the wall.
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The Lumiere XXL and XXS wall lamps imbue any space with their own dynamism, thanks to the essential and unique geometries expertly crafted by master glassmakers. The movement is created by the bold lines and the orientation of the diffuser's upper surface, set at an angle to the support platform by a striking and original cut in the glass. By using the two sizes together or simply by orienting the glass differently, it's possible to create a play of balanced and cheerful compositions. The unprecedented simplicity of the wall version lends itself to a multitude of applications: from all the perfect situations for a wall sconce, such as in a hallway, to use as a bedside light.
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Born from natural inspiration and in-depth research, Gregg's form evokes a large bowl smoothed by water, or the egg of a mythological creature, a symbol of creation and regeneration. A pure and familiar volume, easily recognizable, yet surprising, because Gregg's asymmetrical shape changes its appearance depending on the viewer's perspective. This innovative approach to a traditional material like glass thus becomes a tool in the designer's hands to imbue a space with original character. Available in three different sizes for suspension, table, ceiling, and wall mounting, the Gregg collection is undoubtedly among the most versatile and adaptable, fitting seamlessly into any setting. In the home, the warm, uniform light emitted by the white satin diffuser and the minimalist style offer significant functional and decorative value. The bulb's shield, thanks to the diffuser's closed shape, protects against glare and facilitates its installation at varying heights. Used in composition, Gregg can be applied to the most surprising uses: a "rain-like" structure that emphasizes the vertical extension of a stained-glass window or stairwell, creating a striking scenographic effect; the longitudinal development of multiple suspensions at different heights generates spectacular luminous false ceilings; the repeated volume along a line introduces new perspectives, culminating in a luminous trompe l'oeil.
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The collaboration between Foscarini and Marc Sadler began with Mite, a floor lamp so innovative that it won the 2001 Compasso d'Oro. For Mite, the company and designer developed a special material: a blend of fiberglass and carbon or Kevlar® yarn, which serves simultaneously as decoration and load-bearing structure. This technology, already used in the production of fishing rods, oars, and golf clubs, was being used for the first time in the world of lighting. The extreme flexibility of this material—lightweight yet strong—has allowed for the design of an entire collection of lamps for multiple uses. Thus was born Kite, the wall lamp whose form seems to replicate a section of Mite's body, its volume slightly flattened against the wall. The light source evenly illuminates Kite's diffuser, highlighting the lamp's decoration and projecting an intense, warm beam both upwards and downwards. Mini-Kite is the smaller version of Kite, and its versatility makes it suitable for any environment, residential or commercial, adding the elegant personality that characterizes the entire collection.
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The allure of a woman's braid is the original inspiration for the Tress lamp family. A design idea transformed into reality by Foscarini through the development of a completely original technological process, in which a ribbon of fiberglass and resin, interwoven with an orderly randomness, becomes both the structure and decoration of the lamp. Tress changes personality according to its color: light and discreet in the white version, strong and decisive in the black version, volcanic and totemic in the red version, where the contrast between interior and exterior is even more striking. The wall version, available in two different sizes, has been designed to create a dramatic effect while occupying minimal space, thanks to the diffused light it provides to the room and the direct light directed towards the ceiling.
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A slender, elegant lamp, like a tree trunk. A shade reminiscent of the classic reading lamp. A switch designed like a bouquet, ready to welcome a little bird, a "birdie." Three elements that interact spontaneously, creating a friendly lamp that combines a light, continuous, and familiar touch with a decisive character. Made with durable yet lightweight materials, and offering endless placement possibilities on its circular base, Birdie takes on different personalities depending on the color chosen: discreet and almost invisible in the white version, and a focal point capable of defining an entire room in the amaranth, orange, or gray versions. The wall-mounted model completes the Birdie lamp family, increasing the possibilities for creating combinations between different versions and coordinating the lighting of a whole room.
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A dense stain of ink spreading across the water, an aerial view of a lake with an irregular profile, like many of the forms we find in nature. These are some of the images evoked by Lake, a wall lamp characterized by its organic, asymmetrical shape and rich color. The space defined by the inward-curving rim both houses and conceals the LEO light source, which casts a fluid light and surprises with its placement: from the outer edge, it spreads inward, gliding across the glossy surface. When lit, the dense, desaturated/matte colors of the white and red diffusers become bright and striking; even when switched off, Lake retains its full decorative power and an elegant, ever-changing personality. Thanks to its asymmetrical shape, Lake lends itself particularly well to compositions that bring color, light, and movement to even large walls.
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The Satellight wall lamp, with a soft and dreamy luminosity that spreads from a frosted glass globe, has a visual effect similar to a transparent glass curtain.
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Its youthful, light design, reminiscent of a cigar—from which it ironically takes its name—the soft light it emits, and its ease of adaptation to diverse settings have made it a highly successful model, even earning it a place in the permanent collection of the Museum of Modern Art (MoMA) in New York. The diffuser consists of four segments in satin-finish polyethylene. Small, circular metal hooks connect two successive elements without them touching, leaving space for three thin, hollow bands that fill with light when the lamp is on. Havana is available in floor, pendant, and wall versions.
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The first lamp designed by Ferruccio Laviani with sculpture in mind has been adapted into a wall lamp: the five diffusers of Orbital become the five different versions of Bit, a modular wall light. Each screen-printed industrial glass panel has an irregular shape, creating a striking graphic effect, whether used individually or in multifaceted compositions. The white version is particularly effective when used tone-on-tone to highlight the shapes that appear to be cut out from the wall. The colored diffusers, on the other hand, evoke a surrealist drawing when the lamps are off, and the light plays with the mosaic-like stained glass when they are on. The attention to detail extends to the surface treatment of the diffusers, satin-finished on the outside to give the color a rich, rich texture and highlight the shapes, and glossy on the inside to reflect the light.
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A panoramic and evocative view of his homeland, inspired by designer Vicente García Jiménez, is the inspiration behind Fields, a modular wall lamp. This system of bands and panels in gradient colors, varying sizes, and materials combines and overlaps, playing with different levels, tone upon tone, reminiscent of an aerial view of the fields of La Mancha. Its modular design is one of its key features: it is offered in three distinct elements, which can be used individually or combined as desired. Fields 1 is a single, long metal rod with a special wall-mounting system that allows it to be tilted up or down. Fields 2 and 3 combine various elements in two different compositions, arranged horizontally and vertically. Fields is available in orange, a striking color that can illuminate an entire wall, or in white, a refined tone upon tone that maximizes the warm light it emits.
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A soft, blown-glass volume, a closed line that houses the two light sources and curves towards the wall in the space between them. This is Double, the wall lamp that has become a Foscarini classic, featured in the catalog since 1996. The diffuser's movement is accentuated by its glossy surface, creating an elegant interplay of reflections. Double diffuses intense light, projecting a beam of illumination both upwards and downwards onto the wall, coinciding with the two open sides. It is available in two different colors—white and ivory—to suit a variety of furnishing styles.
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Designed by Foscarini's founders during the company's early years, Folio is a tribute to the simplicity of small gestures that transform a lighting design into a decorative piece. It is a lamp reminiscent of a taut sheet of paper, with two corners gently folded towards the wall or ceiling, a movement barely suggested but sufficient to add volume to the two-dimensional form of the leaf. Two small screws attach the blown-glass diffuser to the metal support, two points that become a delicate decorative element. Folio's light source is housed within the metal support and diffuses a warm, intense light through its satin shade.
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A wall lamp with diffused and reflected light. Its form is composed of overlapping, asymmetrical, and dynamically irregular bands that act as reflectors on the inside and diffusers on the outside, creating a warm, sunlit, graphic, and luminous effect. This concept, which originated with the Le Soleil pendant lamp, expands into a system, including a wall model, with the same unmistakable stage presence and captivating luminosity, whether used alone or in coordinated compositions. The wall version of Le Soleil is not simply an adaptation of the pendant model; its proportions have been completely redesigned to suit its intended use on a wall. Combined with the suspension model in a daytime space, or alone in an entrance or hallway, on the stairs, next to the bed instead of a traditional bedside or floor lamp, with Le Soleil wall it is possible to explore a universe of possibilities, thanks also to the irregular design of the bands, which make it always different, depending on the point of view of the observer.
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Tutu is a wall lamp that provides indirect, diffused light. A simple band of blown glass bends to define the profile of a soft volume that houses the light source. This is Tutu: a wall light that holds the diffuser and the mount together with a pin, a structure reminiscent of a ballerina's bun. Its asymmetrical shape, with two parallel sides of different lengths, makes it even more versatile: it can be mounted with the long side facing up or down. Tutu emits an intense beam of light both upwards and downwards on the wall, and through the diffuser, it projects a warm light into the room.
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A soft, blown-glass volume appears to be secured by a satin-finished metal button, a signature element of the Circus collection, positioned precisely at the central opening. The name itself evokes its circular profile, a timeless shape that has been part of the collection since 1994. Available as a wall or ceiling lamp, Circus furnishes spaces with its simple and balanced structure, accentuated by the intense glow filtering through the white diffuser. The glossy surface enhances its essential form with a play of elegant reflections. It is available in two sizes.
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Diffused light pendant lamp. Diffuser formed by a single element in rotationally molded polyethylene with direct predisposition for mounting on the bracket. Diffuser bracket in powder-coated zamac. Neoprene-insulated electrical cable for outdoor use without ceiling rose, equipped with IP65 or IP44 connection terminals for countries with a second Schuko/CEE 1n plug. Non-dimmable
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Fruto de una inspiración natural y una profunda investigación, la forma de Gregg recuerda un gran cuenco alisado por el agua, o un huevo de un animal mitológico, símbolo de creación y regeneración. Realizada en polietileno, material ligero pero resistente a los golpes y a los agentes atmosféricos, Outdoor Gregg se encuentra disponible en las versiones de soporte y de suspensión, en tres tamaños: medio, grande y extragrande, para integrarse en cualquier situación y para crear composiciones libres, jugando entre tamaños y alturas distintas. Múltiples las posibilidades, doble la emoción: de día con una forma orgánica y pura, de noche con una cálida luminosidad. Outdoor Gregg, decoración e iluminación al mismo tiempo, se presta a caracterizar diversas situaciones: una terraza cubierta, un pabellón en el jardín, un patio, así como un ambiente para vivir al aire libre, expresando un estilo de vida que busca una nueva y refinada relación entre el diseño, la naturaleza y la arquitectura.
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Lámpara de pie de exterior de luz directa hacia abajo. Difusor y poste en material composite sobre base de fibra de vidrio pintado con líquido. El difusor está hecho de tiras de material compuesto modeladas manualmente sobre el molde, las cintas superpuestas crean la superficie trenzada que sucesivamente se pinta a mano. Los bordes inferiores y superiores cuentan con una vuelta de cinta más para completar el difusor. En el centro, una placa en PMMA transparente con incisiones en láser, captura y difunde la luz que proviene de los LED multi chip que se encuentran instalados en el perímetro de la estructura en aluminio que hace las veces de disipador.
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An iconic outdoor lamp. Inspired by the way a fishing rod bends, Twiggy Grid captures the flexibility, clarity, and strength of that image, combining them into an object with a strong personality. Made of a composite material with a painted fiberglass base, PMMA, and aluminum.
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Outdoor table lamp with direct downward light. Diffuser and post made of composite material on a liquid-painted fiberglass base. The diffuser is made of strips of composite material shaped by hand on a mold; the overlapping strips create the woven surface, which is then hand-painted. Foscarini and Marc Sadler's passion for researching new technologies has given rise to iconic projects like Twiggy, an arched post made of composite material on an enamelled fiberglass base. For outdoor use, the project was completely redesigned, both in terms of the lighting's technical aspects and the diffuser's aesthetics, which in the Grid outdoor version is interwoven. The reading and table versions stand out for their successful synthesis of simple form and distinctive personality: they share the same diffuser and post base, but the stem extends vertically.
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Table, floor, and pendant lamp with diffused and direct light. Conical diffuser and tube in thermoplastic elastomer; injection-molded cone and extruded tube. Conical internal diffuser in opal polycarbonate, translucent polycarbonate shield. The fixture is supplied with an IP44 outdoor terminal; the packaging includes a plug for adapting it to an indoor lamp and instructions for shortening the tube. The on/off switch is located inside the tube at the end of the diffuser cone.
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Diffused light floor lamp. Diffuser formed from a single element of rotationally molded polyethylene with a direct predisposition for mounting on the stand. Stem, base, and diffuser support made of metal treated with cataphoresis for considerable corrosion resistance, then powder-coated with polyester. Two height versions are available—high and low—and three options for ground mounting: repositionable base, stake, or cylinder for in-ground installation. Neoprene-insulated electrical cable for outdoor use without an in-line switch, equipped with IP65 or IP44 terminal blocks for countries with a second Schuko.CEE 7/7 plug. LED retrofit. Suitable for damp locations. Non-dimmable.
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An iconic outdoor lamp. Inspired by the way a fishing rod bends, Twiggy Grid captures the flexibility, clarity, and strength of that image, combining them into an object with a strong personality. Made of a composite material with a painted fiberglass base, PMMA, and aluminum.
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