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  • With its containers of various shapes and sizes, hooks, and metal clips, Uten.Silo helps to organize offices, kitchens, workshops, bathrooms, and children's rooms. Uten.Silo has been available in its original size (Uten.Silo I) since 1969, as well as in a smaller version launched in 1970 (Uten.Silo II) in three colors: white, red, and black.
  • The seat and back cushions are available in soft or firm versions and can be optionally tufted. When added to a standalone Suita Sofa, the back-mounted shelf creates a perfect temporary workspace for a laptop and chair. Positioned against the wall, the shelf provides convenient storage space. A headboard is also available, which, when installed on the sofa, offers added comfort and blocks out visual and auditory stimuli.
  • The numerous models in Alexander Girard's Wooden Dolls family are lovingly hand-painted, one by one. This film showcases the steady hand required for each brushstroke in this meticulous craft and why each of these wooden figures is a unique object. VIDEO
  • The Cité armchair, designed for a competition to furnish the student residence at the Cité Universitaire de Nancy, is one of Prouvé's early masterpieces. This dynamic armchair, with its distinctive powder-coated steel sleds and wide leather straps as armrests, was used by Prouvé himself in his living room. Its generous dimensions and inviting upholstery contribute to its exceptional comfort.
  • Along with his colleagues Charles and Ray Eames and George Nelson, Alexander Girard was one of the leading figures in postwar American design. Although the focus of his work was textile design, Girard also gained considerable recognition for his work in graphic arts and the design of furniture, exhibition spaces, and interior architecture.
  • “Getting the most of the best to the greatest number of people for the least”: with these words, Charles and Ray Eames described one of their main goals as furniture designers. None of their works came closer to this ideal than the Plastic Chair. For years, they worked on the idea of ​​a one-piece seat shell molded to fit the contours of the human body. In the 1940s, when their experiments with plywood and aluminum sheeting didn't yield the expected results, their search for alternative materials led them to fiberglass-reinforced polyester resin.
  • During 1941 and 1942, the Ateliers Jean Prouvé designed and executed several interior design projects for the chemical company Solvay. This contract resulted in numerous designs, including a wooden table that exemplifies Prouvé's construction methods: its structural details demonstrate the interplay of forces and tensions, as was later the case with the EM Table, which differs from its predecessor in its metal legs. The solid woods and oil finish give the Solvay table a refined and simple look that compensates for the technical coldness of the design.
  • Jean Prouvé, who always considered himself an engineer, designed and manufactured his own product ideas. His unique work, ranging from letter openers to door and window fittings, from lamps and furniture to prefabricated houses and modular building systems, encompasses virtually everything that can be industrially produced.
  • The design of the Wooden Side Tables corresponds to that of the Metal Side Tables created for Vitra by Ronan and Erwan Bouroullec in 2004. As with their counterparts, the appeal of these wooden side tables lies in the contrast between the delicate tabletops and the robust appearance of their pedestal bases. One of their distinguishing features is the gently molded edges of the tabletops, which form a subtle rim, lending them an elegant Japanese feel.
  • In collaboration with the Eames Office and Dutch designer Hella Jongerius, a new color palette was carefully selected to give EDU a fresh, contemporary look while also paying homage to the spirit of the 1940s and 50s. With its attractive combination of colored panels, the EDU Desk adds a cheerful and inviting touch to any home office. The panels also serve as a discreet screen and partially conceal the two storage compartments. The metal support frame is height-adjustable to accommodate uneven floors.
  • Seat and base: solid wood with natural oak oil finish, smoked oak or American walnut core; steel sheet connecting element, powder coated (fine texture) in deep black.
  • Tip Ton defines a new category of chairs: chairs made of synthetic material that can tilt forward. Its name refers to its unique dual seating position: starting from a normal position, Tip Ton can tilt a few degrees forward and remain in that new position. This tilted position, previously reserved for mechanical office chairs, helps keep the pelvis and spine upright, improving circulation in the abdominal and back muscles.
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