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"The Light Bulb Series" is a signature collection born from a reflection on the light bulb as an archetype, with the typical bulb shape subverted in a series of surprising provocations. James Wines proposes this reflection by moving between the main themes that have guided his architectural research: inversion, dissolution, nature—all those states of "architectural defect" that allow us to rethink reality. Comprising five pieces, the complete series is dedicated especially to collectors and enthusiasts and is sold in a limited, numbered edition. Foscarini also offers a spin-off of the collection, aimed at a wider audience: White Light and Black Light can be purchased separately. White Light is the matrix, the still-intact foundational icon of an object that has become an archetype of lighting. Black Light is a pure inversion of functions and parts: a lamp holder that emanates light, while the bulb remains black and "dark." An accessible temptation for those passionate about James Wines' conceptual approach and critical reflection.
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Born from natural inspiration and exhaustive research, Gregg's form evokes pebbles polished by water or the egg of a mythological creature, a symbol of creation and regeneration. A pure and familiar volume, easy to interpret yet surprising, because Gregg's asymmetrical shape changes its appearance depending on the viewer's perspective. A fresh take on a traditional material like blown glass becomes a tool for imbuing any space with an original character. The Gregg collection is undoubtedly among the most versatile and adaptable, easily fitting into any setting. The Gregg Tavolo Alta structure is available in three matte finishes. Choose from a soft, rich, deep gold; a cooler, more sophisticated graphite; or, once again, white, for a neutral tone that blends seamlessly into any environment.
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Table lamp with diffused light. Base in die-cast zinc alloy and stem in steel, both liquid-coated. Internal diffuser in opal polycarbonate, injection-molded; external diffuser in translucent polycarbonate, injection-molded. In the large version and the small version with touch dimmer, the sensor is located at the end of the stem arm and allows for stepless adjustment of the light intensity; electronic transformer in the transparent cable. In the small version without dimmer, the on/off switch is located on the transparent cable.
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Diffused light accent lamp with integrated LED. The light body is made of mouth-blown glass that has been subsequently acid-etched. The central hole is cut with a high-pressure, fine water jet, allowing for a high level of precision without altering the glass temperature. The upper slot, where dried decorative branches can be placed (the use of liquids is prohibited), is made of opal borosilicate glass. The lighting component, consisting of a multi-chip LED board, is protected by an opal polycarbonate disc. It features a dimmer switch on the light gray power cord.
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Table lamp with diffused, downward-facing light. Diffuser with integrated LED, formed by two injection-molded, liquid-painted ABS domes joined together. Die-cast zinc alloy frame. The touch dimmer switch is located at the base of the diffuser and allows for switching the lamp on and off and adjusting the light intensity. Electronic transformer in the plug; transparent power cord. Custom packaging included.
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Direct light table lamp. Colored ABS in a matte molding compound for the base with a metal frame inside; the top is also made of colored ABS in a glossy molding compound, containing a white parabolic reflector and a diffuser, both made of polycarbonate. On/off switch on the transparent cable.
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Table lamp with direct and diffused light. The transparent polycarbonate diffuser is produced by rotational molding, a technology that allows for the creation of large, hollow bodies without welding. Features an aluminum interior, a brushed frame, and a transparent electrical cable.
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Table lamp with diffused and direct downward light. The lamp consists of two elements made of hand-blown glass. The transparent glass cone acts as the structure and contains and supports the bright white hand-blown glass globe that houses the LED light source. Available with an on/off switch on the transparent cable or as a touch dimmer.
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Table lamp with direct and diffused light. Mouth-blown crystal glass with a liquid silver nitrate mirror that, when lit, reveals the light source. Tripod base in die-cast aluminum, hand-finished and polished in the aluminum version, and liquid-painted in the black chrome or champagne versions; scratch-resistant silicone feet. Includes a dimmer for gradual adjustment.
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Table, floor, and pendant lamp with diffused and direct light. Conical diffuser and tube in thermoplastic elastomer; injection-molded cone and extruded tube. Conical inner diffuser in opal polycarbonate, translucent polycarbonate shield. The fixture is supplied with an IP44 outdoor terminal; the packaging includes a plug for adapting it for indoor use and instructions for shortening the tube. The on/off switch is located inside the tube at the junction with the diffuser cone.
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The Tuareg structure draws inspiration from human-made architecture, yet is connected to the natural world, using materials like branches and reeds, according to an instinctive and dynamic creative logic. Chaos transforms into order, creating an unconventional geometry reminiscent of land art. Independently controlled LED light sources are integrated at the end, adjustable 350° to change the lighting effect and the lamp's functionality. The structure is further refined by integrated touch-sensitive switches and a cable management system concealed within the tubular elements. The electronic transformer is located in the plug. The lamp can be operated via a wall switch.
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Floor lamp with direct and indirect light. Diffuser and stem made of various materials on a liquid-painted fiberglass base. Four counterweights are included as standard; these are inserted into the corresponding housing above the diffuser to adjust the height. Additional rods are available to extend the arc. The transparent cable has a dimmer switch that functions as both a gradual light intensity regulator and an on/off switch.
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The allure of a woman's braid is the original inspiration for the Tress lamp family. A design idea brought to life by foscarini through the development of a completely original technological process, in which a ribbon of fiberglass and resin, interwoven with an orderly randomness, becomes both the structure and decoration of the lamp. Tress changes personality according to the color: light and discreet in the white version, strong and decisive in the black version, volcanic and totemic in the red version, where the contrast between interior and exterior is even more striking. In the floor-standing version, the frame incorporates the same power cable and simultaneously serves as structure, decoration, and shield, creating an unprecedented interplay of solids and voids, light and shadow. The light that diffuses through the lamp produces a particularly captivating effect thanks to two separate light sources: one in the lower position fully illuminates the interior and highlights the graphic presence of the frame, while the upper one reflects light onto the ceiling. In the medium version, with a single light source at the base within the diffuser, the dimmer on the transparent cable functions as both a gradual light intensity regulator and an on/off switch.
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Chouchin is a Japanese word that refers to the traditional and symbolic paper and bamboo lanterns used as illuminated signs outside businesses or as amulets on the exterior of homes. Sober and elegant, Chouchin combines artisanal expertise with a modern and minimalist style. The Chouchin family consists of three models with a colored body in matte glass. Alongside the first version, we find a new version: Chouchin Reverse. The shapes remain the same, but the colors are reversed; the diffuser becomes white while the neck retains the color of the previous version. It's not just a new color, but a new light, a new use. Chouchin Reverse, thanks to its clear blown-glass diffuser, doesn't simply direct light downwards—like the original Chouchin—but also spreads a bright, fluid, and evocative light throughout the surrounding environment.
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Aplomb Large is a new cement lamp with a distinct shape and functionality compared to the original version. In addition to being wider, Aplomb Large features an integrated LED light source, recessed into the lamp body, which provides a broad downward beam of light, unlike the original Aplomb, which is characterized by focused illumination. Aplomb is handcrafted by expert Italian cement artisans. The design challenge is to achieve thin thicknesses, light forms, and a textured yet pleasant surface. This result is achieved through meticulous care and a deep understanding of the material, which has led to the discovery of a special, highly fluid blend in the mold during production. Among the available colors, to meet diverse design needs, are white, gray, and brown, obtained by adding pigments directly to the mix. Aplomb Large can be placed on a table, peninsula, or counter, at home or in a public space, and is perfect for use alone or in repeated linear compositions.
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Chouchin is a Japanese word that refers to the traditional and symbolic paper and bamboo lanterns used as illuminated signs outside businesses or as amulets on the exterior of homes. Sober and elegant, Chouchin combines artisanal expertise with a modern and minimalist style. The Chouchin family consists of three models with a colored body in matte glass. Alongside the first version, we find a new version: Chouchin Reverse. The shapes remain the same, but the colors are reversed; the diffuser becomes white while the neck retains the color of the previous version. It's not just a new color, but a new light, a new use. Chouchin Reverse, thanks to its clear blown-glass diffuser, doesn't simply direct light downwards—like the original Chouchin—but also spreads a bright, fluid, and evocative light throughout the surrounding environment.
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Suspension lamp with diffused and direct light. The diffuser, made of various materials with a fiberglass base, is manufactured by tape molding on a mold with automatic step/design control and is liquid-painted. The allure of a woman's braid is the original inspiration for the Tress lamp family. A design idea brought to life by foscarini through the development of a completely original technological process, in which a ribbon of fiberglass and resin, woven with an orderly randomness, becomes both the structure and decoration of the lamp. Tress changes personality according to the color: light and discreet in the white version, strong and decisive in the black version, volcanic and totemic in the crimson red version, where the contrast between interior and exterior is even more evident, striking in indigo blue, and supremely contemporary in ecru, a shade between gray and beige. The pendant version—available in medium, small, and mini sizes—is designed to illuminate a specific area in the space below; the large Tress pendant, on the other hand, is characterized by a more diffused light. The various sizes can be used individually to highlight a dark corner or a room's space, or in compositions or rows to create perspective effects.
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One, two, three light lanterns, yet brimming with seductive tang. Three distinct yet complementary forms, a balance between East and West. A family of lamps that brings a soothing light to diverse settings, translating the magic of rice paper or mulberry bark—the raw materials of Japanese lamps—into the exquisite appearance of blown and satin-finished glass. The horizontal lines etched onto the surface of the lamps create a soft and captivating aesthetic while simultaneously filtering the intensity of the light source, diffusing a full, warm, and gentle glow into the room. With their hand-blown glass bodies and pleasingly plaster-like appearance, the Rituals pendant lamps can be used individually or in harmonious arrangements of 3 to 9 lamps, thanks to the use of a multi-canopy.
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Diffused light pendant lamp. Mouth-blown, jacketed glass diffuser, white on the inside and colored on the outside with a glossy finish. With a "straw" interior, the "warm white" version appears ivory when lit and remains white when off. During the 1990s, Rodolfo Dordoni designed a collection of table, floor, and pendant lamps for Foscarini, featuring strikingly colored blown-glass diffusers and names that evoked natural elements: Fruits, Blossom, and Buds. Now, Buds is being revamped once again, interpreting contemporary tastes to achieve a refined richness and attention to materials. The star of the project, as always, is the blown glass, crafted with five layers of artisanal technique, immediately apparent thanks to the diffuser's wider cut. With the new color range—cool brown, cool gray, bamboo green, and white, with a straw-like interior—Buds takes on a dual character: warm when the lamp is on and cool when it is off.
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A collection of pendant lamps in two distinct forms. The pendant lamp draws inspiration from the evocative style of antique oriental lanterns and the more domesticated birdcages. Its design originates from the observation of bicycle wheel spokes, from which the project also takes its name: Spokes. The result is a softly shaped lamp with a light volume that contains the light, allowing it to filter into the space. The lightness that characterizes the design is combined with the solidity of its form, crafted from metal rods, and the functionality of the LED light source, which perfectly illuminates the area and creates plays of light and shadow projected onto the walls with a magical, multiplying effect. The design, available in two shapes, two sizes, and two distinct color variations, highlights its versatility, making Spokes a lamp particularly suitable for both residential and public spaces. It can even be perfectly placed in large architectural structures, thanks to the possibility of creating multiple compositions.
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Chouchin is a Japanese word that refers to the traditional and symbolic paper and bamboo lanterns used as illuminated signs outside businesses or as amulets on the exterior of homes. Sober and elegant, Chouchin combines artisanal expertise with a modern and minimalist style. The Chouchin family consists of three models with a colored body in matte glass. Alongside the first version, we find a new version: Chouchin Reverse. The shapes remain the same, but the colors are reversed; the diffuser becomes white while the neck retains the color of the previous version. It's not just a new color, but a new light, a new use. Chouchin Reverse, thanks to its clear blown-glass diffuser, doesn't simply direct light downwards—like the original Chouchin—but also spreads a bright, fluid, and evocative light throughout the surrounding environment.
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