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The name MVV comes from the initials of his name, a way of reclaiming his authorship. This was the wish of his grandson—also an architect—and the collaborators at his studio, Two-bo. Pablo, María, and Alberto have revived this lamp 45 years later. Marset acts as a hinge in time, taking the original design—an octagon with overlapping slats—and updating it by giving it a double skin: cherry wood on the outside of the slats, and white on the inside to optimize the quality of the light. The original dimensions – 45 cm – are respected, and the internal structure, originally made of iron, is now also made of polycarbonate to make it lighter. Using wood as a material, the MVV achieves exceptionally warm lighting. A steel and glossy black polycarbonate structure supports eight PET panels with a cherry wood exterior and a white interior. A transparent methacrylate diffuser sits atop the panel.
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Moving the light source—this is the idea behind Jaume Ramírez's new design. Milana is a system of modular pendant lamps that can be combined and moved both vertically and horizontally.
Paradoxically, this new design begins with the deconstruction of the lamp archetype: by simplifying it to its bare essentials, it is left with only a suspended cylindrical body with an integrated LED. This cylinder can be fitted with various conical shades in pearl white, black, beige, gray, and red, and in several sizes. But the most ingenious feature is that each of these lamps can be fitted with a simple counterweight, allowing it to be moved when hung between two points. The tubular structure and shade are made of lacquered aluminum with a translucent polycarbonate diffuser. A rope with a counterweight allows the lamp to be moved around the space. -
The story of the Dipping Light has only just begun. Marset wasn't content with just the two table lamp sizes it has offered until now: its most poetic lamp is expanding its uses and is now available as a portable, standalone lamp, a pendant lamp, a wall lamp, and in a new table lamp size – ø20 cm – somewhere between small and large. The colors remain the same, but the range of styles has been expanded. The new Dipping Light pendant light is stripped down to its essentials, making color the absolute star. That's why creating a composition with several of them results in a captivating visual effect. This new model is available in three different sizes: 12.5, 20, and 30 centimeters in diameter. Bright white blown glass shade with multiple layers of paint. A polycarbonate trim on top completes the spherical shape.
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The Bohemia is a unique lamp. Joan Gaspar designed a large, highly efficient pendant lamp that closely resembles glass. A difficult challenge that the designer overcomes by using polycarbonate as the material. This lamp boasts an organic, anything but boring, translucent profile that integrates two volumes into a single form. The result is a large shade available in various colors that don't clash with the interior—always white—providing impeccable lighting, free from chromatic contamination. When lit, it casts white light downwards while simultaneously emitting nuances and shadows on the screen that enrich its form. The Bohemia is bright, striking, with exceptional light, and aims to surprise the viewer. Translucent, two-layer, rotomolded polycarbonate screen, always with a white interior. Opal methacrylate diffuser in the LED version.
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Vetra might seem like just a traditional, hand-blown glass lamp, but when you turn it on, it holds a surprise. Joan Gaspar uses a closed glass diffuser as a reflector, with the unique feature of placing the light source outside the shade instead of inside. It emits more light than expected without being dazzling: a large portion of it is directed downwards, and the rest filters into the shade, subtly illuminating it. As if there were an echo and the light were multiplying, when lit it reveals its entire outline, seemingly alive. This collection has been designed for table, pendant, and floor lamps in various diameters – 20, 32, and 43 cm. In the table and floor lamp versions, the stem is divided into two unequal parts, a detail that disrupts its balance, adding beauty and elegantly resolving the cable exit. Frosted blown glass shade with lacquered aluminum heat sink. Lacquered iron base and stem. 3-position sensor dimmer.
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The name of the Greek goddess Theia—mother of the sun, moon, and dawn—is given to this lamp because its design primarily aims to express the beauty of light and the fascination we feel for it. Theia has two faces; to discover them, simply rotate it gently on its axis. It can be directed towards the user and function as a reading lamp. Or, it can be directed towards an object or a wall, creating a subtle, indirect light effect that instantly warms the room. This rotation completely changes the perception of the piece, as its metal diffuser is entirely opaque. Base and stem made of lacquered iron. Lacquered aluminum heat sink with integrated switch. Vertical hemisphere made of lacquered cast iron, with a white interior, and a transparent, smoked, thermoformed methacrylate shade.
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The assembly of basic geometric shapes and the use of wood alongside metal give this family of luminaires an approachable feel while also possessing a distinctive personality. All movements of the shade, including full rotation, are achieved through joints and arms, and their technical precision means that no visible springs or counterweights are required to maintain the chosen position. La palabra inglesa Scantling hace referencia a las dimensiones de la sección de una varilla de madera, y deriva de una herramienta de medida utilizada antiguamente. La evidencia de su juego constructivo procura a esta lámpara una cierta imagen arquetípica, casi gráfica.Tija y base de hierro lacado. Brazo de roble macizo que sostiene un difusor de aluminio. El interruptor está incorporado en la pantalla.
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Its structure is as simple as it is magical: a round surface housing an LED located at its center and a superimposed glass ball that, when moved, constantly produces the effect of an eclipse. By moving the ball, we dim or brighten the light, and this game captivates with its beautiful visual effect. Bolita aims to encourage user interaction. Florian and Sebastian from the kaschkasch studio conceived the idea of a lamp where dimming was done mechanically, not electronically. This technologically innovative design celebrates the sense of touch. Lacquered steel base housing the light source. A slightly magnetized, opal-blown glass diffuser rests on top of the base and moves across the surface. Switch located on the side of the base.
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The fluidity of its movements and its perfect stability make this flexible lamp a light source that can be moved around the table without taking up much space. This articulated lamp incorporates LED technology, allowing you to direct the light beam with precision. Lacquered aluminum structure and diffuser. Switch integrated into the diffuser. Metal base with polycarbonate cap. Available in black and white, and with a range of accessories: base, clamp, table stand, wall mount, and floor stand.
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Synthesis, reduction, lightweight. But above all, comfort: these are the principles that Jean Marie Massaud has always followed in his creations. These principles were transferred to the Yale sofa and armchair collection, which in 2011 received the prestigious Golden Compass award for its innovative vision of upholstered sofas and armchairs combined with a minimal support structure. The aluminum frame cradles sophisticated cushions filled with cotton or feathers. Offering the opportunity to play with fabrics, finishes, and colors, Yale, with its strong identity, adapts to all types of interiors, both residential and commercial. This elegance, purified of any mannerism and focused on the essence of the product, can also be found in Yale X, Yale Bed, and Yale Low Table.
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Synthesis, reduction, lightweight. But above all, comfort: these are the principles that Jean Marie Massaud has always followed in his creations. These principles were applied to the Yale sofa and armchair collection, which in 2011 received the prestigious Golden Compass award for its innovative vision of upholstered sofas and armchairs combined with a minimal support structure. The aluminum frame cradles sophisticated cushions filled with cotton or feathers. Offering the opportunity to play with fabrics, finishes, and colors, Yale, with its strong identity, adapts to all types of interiors, both residential and commercial. This elegance, free from any mannerism and focused on the essence of the product, can also be found in Yale X, Yale Bed, and Yale Low Table.
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Armchair and sofa with a strong personality and large cushions, providing considerable comfort and great functionality. Available in two different seat depths and two different backrest heights, ensuring a comfortable sitting position and adaptability to your needs and preferences. Aluminum composite frame with elastic webbing and die-cast aluminum legs. The frame is finished in matte white, stone gray, and anthracite gray.
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