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  • Structure in matte brushed stainless steel - bronze painted; Extra clear glass top. Dimensions: Diameter 118x31
  • Round table in Canaletta walnut with a marble or wood top divided into four parts. Metal base with a bronze finish.
  • Thea, the new upholstered system, originates from a feminine interpretation of forms and a balance of seemingly antithetical patterns: comfortable, inviting, orderly, dynamic, rigorous, light, and highly compact. Thea's eclecticism lies in the harmonious exploration of different perspectives: orthogonal from the front, angled to the sides, and concave at the back. The sofa is truly original and dynamic precisely because it fuses all these styles: it is a play of projections and forms that gives its design a unique and recognizable character. The lining enhances femininity: like a dress that envelops and covers the curves, the pleats cling perfectly to the shapes of the garments. Meticulous attention is paid to tailoring details, adhering to the principles of Italian tailoring, and employing various seams. Bias stitching and contrasting edges in three different colors (white, dove gray, and anthracite gray) define angles, curves, and forms.
  • Table with a base composed of a painted metal frame with a matte black finish, onto which two 6 mm tempered and fused glass panels are applied, available in the following finishes: clear glass with a striped texture; smoked and bronze glass with a striped texture; clear glass with an embossed texture, painted on the back in transparent shades of Amber and Powder Pink; clear glass with an embossed texture, painted on the back in transparent shades of Algae Green and Smoke. The top is made of 12 or 15 mm tempered glass, available in the following variations: clear glass with a back-varnished finish in monochromatic tones; clear glass with an acid-etched and back-varnished finish in metallic tones; clear glass covered with Ecomalta, hand-spatched with a fine grain. An extendable option is available.
  • Round table with a central base in bronzed cast brass mounted on a bronzed brass metal disc and a tempered glass top (12 mm thick). The base is made from a single mold, which is destroyed after casting. It is possible to engrave the customer's name on the base.
  • The Thin coffee table combines natural wood stained black with contemporary stainless steel, a perfect combination for elegant interiors.
  • The Thomas armchair was designed in 2000 and has become one of Flexform's undisputed bestsellers thanks to its inherent elegance. The seat cushion, padded with expanded polyurethane and Dacron, has a stable thickness and rests on a refined curved wooden base. The armchair's frame and the essential yet comfortable semicircular backrest are made of beautiful solid American walnut and ash, varnished in various shades or finished with a high-gloss lacquer in a wide range of sophisticated colors. With its graceful lines and compact proportions, the Thomas armchair is a true all-rounder that can be easily combined with all the sofas in the Flexform collection.
  • Armchair with solid canaletta walnut frame and seat upholstered in fabrics from the collection.
  • TIBBO by Barber & Osgerby, DEDON's first teak collection, combines meticulous craftsmanship, superior comfort, and exceptional lightness in a distinctive, elegant, and pure design—exactly what one would expect from its internationally renowned creators. With its blend of teak-based materials, textiles, and woven fibers in the seating, the collection conveys an exceptionally deep and sumptuous feel.
  • The spectacular 3.38-meter dining table, the largest in the entire collection, has four legs and ample space for up to 10 diners. But the rationality of TIBBO's design finds its counterpoint in the warmth of the wood and the comfort of the cushions, as well as in the soft touch and natural appearance of its fiber, specially developed for the collection.
  • The rationality of TIBBO's design finds its counterpoint in the warmth of the wood and the comfort of the cushions, as well as in the soft touch and natural appearance of its fiber, specially developed for the collection.
  • The rationality of TIBBO's design finds its counterpoint in the warmth of the wood and the comfort of the cushions, as well as in the soft touch and natural appearance of its fiber, specially developed for the collection.
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